Bill 2 is the second issue of an annual magazine of photographic stories, edited and designed by Julie Peeters. Twelve contributors present new or previously unpublished work. Bill prioritizes visual reading without distraction, the images that appear in the magazine are printed without any accompanying text. Contributors to the second issue are: Gintaras Didziapetris, Jason Dodge, Archiv Hans Hollein, Inge Ketelers, Tadashi Kurahashi by Tadanori Yokoo–Tadanori Yokoo by Tadashi Kurahashi, Jochen Lempert, Raimundas Malasauskas, Bart Julius Peters / T L P S, Reto Schmid, Megan Francis Sullivan, Linda van Deursen, Ann Woo, and Jiajia Zhang.

Artist publication by Zarouhie Abdalian in collaboration with Julie Peeters detailing Abdalian’s solo exhibition at LAXART in 2017, curated by Micki Meng. The catalog centers around seven tools and tool heads (titled: brunt) and several casts of the worked surface of a long derelict chalk mine (titled: from chalk mine hollow). Tara McDowell in the accompanying text describes the work as “near-future monuments to our own self-made epoch, the Anthropocene.” With texts by Joseph Rosenzweig and Tara McDowell. Design: Julie Peeters.

Published on the occasion of Mechanisms, a group exhibition at CCA Wattis Institute (October 12, 2017 to February 24, 2018). It includes an essay by curator Anthony Huberman as well as contributions from artists Zarouhie Abdalian, Terry Atkinson, Lutz Bacher, Eva Barto, Neil Beloufa, Patricia L. Boyd, Jay DeFeo, Harun Farocki, Richard Hamilton, Aaron Flint Jamison, Jacob Kassay, Garry Neill Kennedy, Louise Lawler, Park McArthur, Jean-Luc Moulène, William Pope.L, Charlotte Posensenke, Cameron Rowland, and Danh Vo. Trisha Donnelly designed the cover.

Instead of documenting the exhibition, the catalogue reflects and expands on some of its core ideas. Designed by Scott Ponik and Julie Peeters, the book’s fabrication makes use of different printing techniques and “machines,” including an offset printer, a letterpress, and thermography, as well as a wide range of natural and synthetic paper stocks. Contributions by each of the exhibiting artists range from photo essays, theoretical essays, video transcripts and stills, interviews, and works designed especially for the page.