The catalogue of the 15th Baltic Triennial at CAC in Vilnius is conceived as a visual book in two parts: one is dedicated to the Prologue, which took place a year prior to the main exhibition; the other documents the Triennial itself. In addition to contributions by Adrianna Glaviano, the book features two poems by Emerson – a figure who emerges from the archive of Greek photographer and writer George Tourkovasilis, and whose poems served as entry points to both the Prologue and the main exhibition.

Edited by Tom Engels and Maya Tounta and designed by Julie Peeters, the book draws formal inspiration from the publications of James Lee Byars.

Edited by Tom Engels, Yana Foqué & Krist Gruijthuijsen, preface by Maxine Kopsa.

SUZON—both a reprint of Raimundas Malašauskas sold-out book Paper Exhibition from 2012 and a new collection of writings by the author that have happened since—offers a window onto Malašauskas’ worldview, based on collective improvisation, congregation and continuous drift. It includes essays, exhibition guides, personal letters, song lyrics, an opening speech and a cocktail recipe offering a glimpse of what perhaps in a few years we will look back upon as L’esprit du temps.

Artist’s book published on the occasion of Gintaras Didžiapetris’ solo exhibition at the Contemporary Art Centre, Vilnius 5 April–19 May, 2013, as well as different versions of the exhibition which were on view at Objectif Exhibitions in Antwerp, and Villa Croce Museum of Contemporary Art in Genoa. Designed by Goda Budvytytė.

The Classic of In Passing consists of three micro-books containing images from Taipei and Tokyo from 2017–2019. This publication extends 2015’s House, an artist’s book published by the Bordeaux Museum of Contemporary Art (CAPC). Produced by Inesa Brašiškė.

The multifarious practice of Vilnius-based artist Gintaras Didžiapetris (b 1985) thrives on paradox, and the navigation between past and present. Didžiapetris often uses memory as a springboard from which to articulate, question, or proliferate meaning. And while the base elements of logic or myth are perhaps insufficient ways to form narrative paths through the artists’ work, the unlikely collision of both go some way in describing Didžiapetris’ conceptual challenges.

The Federal is a periodical of artist’s writings published by Brussels gallery, Tulips and Roses.

Contributors to this issue: Gintaras Didžiapetris, Graham Harman, Raimundas Malašauskas, Snowden Snowden, Jonas Žakaitis.

The Federal is a periodical of artist’s writings published by Brussels gallery, Tulips and Roses.

Contributors to this issue: Christopher Fraga, Elena Narbutaite, Jonas Žakaitis, Gintaras Didžiapetris in conversation with Paul Sietsema, and Jonas Žakaitis in conversation with Christopher Witmore