The catalogue of the 15th Baltic Triennial at CAC in Vilnius is conceived as a visual book in two parts: one is dedicated to the Prologue, which took place a year prior to the main exhibition; the other documents the Triennial itself. In addition to contributions by Adrianna Glaviano, the book features two poems by Emerson – a figure who emerges from the archive of Greek photographer and writer George Tourkovasilis, and whose poems served as entry points to both the Prologue and the main exhibition.

Edited by Tom Engels and Maya Tounta and designed by Julie Peeters, the book draws formal inspiration from the publications of James Lee Byars.

Produced on the occasion of Megan Francis Sullivan’s solo exhibition at Kunsthaus Glarus, this publication serves as a visual essay bringing together materials related to the project’s production and reception. The publication gives form to seemingly ephemeral connections that condense during the preparation of an exhibition. The booklet combines research material, installation photographs, as well as a series of drawings that were not in the show.

Edited by Melanie Ohnemus. Designed by Julie Peeters.

Bill is an annual magazine that prioritises visual reading of its photographic stories without the distraction of text. The 192 offset pages are printed in CMYK, silver, and black and white on a dozen different paper stocks, along with some Japanese bound signatures. Contributors to this sixth instalment include conceptual artist Rosemarie Trockel, Croatian artist Hana Miletić, RareBooksParis, architect and designer Thorben Gröbel, Japanese artist Yuji Agematsu, French artist Claude Closky, California-based artist Sam Contis, Dutch photography studio Blommers/Schumm, photographer Michael Schmidt, Swiss artist Beat Streuli, and photographer Adrianna Glaviano.

Body Starting to Change is a conversation on music between two artists. When in 1960s despite the official ban foreign radio stations gained in availability within USSR, the newscasts and political comments broadcasted by them became an important part of alternative education. Musical programmes were of no less or perhaps of even more importance as they exposed the vitality of youth culture (or subculture) behind the Iron Curtain. Deimantas Narkevičius shares his musical experiences with Elena Narbutaitė, starting with this period of ‘catching waves’ and continuing until 1993, when the introduction to the London music scene became the turning-point (sooner or later experienced by many) in the artist’s relationship to the changing urban culture. The publication includes watercolours by Elena Narbutaitė, the reproduction of the cover of Satori, an album by Flower Travellin’ Band, stills from July 20, 2015, the (then) new film by Deimantas Narkevičius, and graphics by Mark Geffriaud.

Published as part of the XII Baltic Triennial. Designed by Julie Peeters.

On the occasion of the 150th anniversary of the birth of Jože Plečnik (1872–1957), a key figure of the Modernist movement in architecture and creator of numerous buildings and monuments around the city of Ljubljana, in 2022 Luca Lo Pinto and Olaf Nicolai curated an exhibition titled I Am Only the Housekeeper, but I Don’t Know… in the Slovenian architect’s former home. The publication retraces the contemporary interventions undertaken by the curatorial duo, who invited twenty-five internationally recognised Slovenian and foreign artists, allowing them to enter the house through their own works to commemorate Plečnik’s oeuvre and place its reading into a different and more contemporary context.

Works by John Armleder, H. C. Artmann, Nairy Baghramian, Avi Beracha, Pierre Bismuth, Monica Bonvicini, Pablo Bronstein, Michael Dean, Jason Dodge, Hansi Fuchs, Lena Grossmann, Ana Kučan, Janette Laverrière, Enzo Mari, Hana Miletić, Carsten Nicolai, Saša Pavček, Julie Peeters, Manfred Pernice, Florian Pumhösl, Fabio Quaranta, Ana Roš, Giovanna Silva, Mladen Stilinović, Diamond Stingily, Sophie Thun.

Photography by Giovanna Silva. Graphic design by Julie Peeters with Laura Martens.

This book presents previously unpublished work by George Tourkovasilis (1944–2021), a photographer and writer who lived between Paris, London, and Athens. Spanning the 1960s to the 2000s, his images move between diaristic depictions of radically intimate moments and sociological chronicles, while his incisive writing on art, politics, and desire brings its own syncopated reflections. Following his death in 2021, Akwa Ibom, Radio Athènes, and Melas Martinos assumed stewardship of his archive – prints, negatives, manuscripts, correspondence, and digital files – and organized three exhibitions: Spent at Akwa Ibom, The Night, Sleep at Radio Athènes, and Strange Switch at Melas Martinos, which are documented here. Drawing on material unearthed from the archive over the past year, including previously unseen digital and phone photography, this book offers a new perspective on a practice that largely eluded the public eye yet remained prolific and generous in private. Edited by Helena Papadopoulos, Julie Peeters & Maya Tounta. Designed by Julie Peeters.