The first volume of Isa Genzken’s catalogue raisonné documents works produced between 1961 and 1996, providing documentation of her oeuvre in chronological order and across all media (sculpture, painting, installation, works on paper, and film). Edited by Daniel Buchholz with Michael Sanchez, Katharina Forero de Mund and Christopher Müller. The book includes an introductory essay by Manfred Hermes, as well as a biographical timeline, exhibition history and bibliography.

This comprehensive catalogue documents the installation of Isa Genzken’s eponymous exhibition at Neue Nationalgalerie Berlin, 13 July–27 November, 2023. Alongside many photographs, the catalogue assembles texts by Dieter Schwarz, Sabine Breitwieser, Manfred Hermes, Tom McDonough, Juliane Rebentisch, Isa Genzken, conversations with Isa Genzken and Wolfgang Tillmans, and Isa Genzken and Diedrich Diederichsen, a preface by Klaus Biesenbach and Lisa Botti, and a new essay by Diedrich Diederichsen. Designed by Julie Peeters, edited by Daniel Buchholz and Christopher Müller.

Edited by Julie Ault, Heinz Peter Knes, Danh Vo, Christopher Müller & Daniel Buchholz.

This catalogue documents the collection of the artist Martin Wong. In numerous colour illustrations, photographs that Heinz Peter Knes took together with Danh Vo, the book depicts the interiors of the Wong Fie family residency in San Francisco filled with paintings, sculptures, and multifaceted objects from very specific and diverse fields of interest such as asian antiques and americana that Martin Wong followed and collected together with his parents throughout is life.

Edited by Daniel Buchholz and Christopher Müller. Produced on the occasion of Jack Goldstein’s first exhibition at Galerie Buchholz in 2000, with aphorisms by the artist, a new essay by John Miller and an interview by Morgan Fisher. The book also includes a commented list of Jack Goldstein’s films and records.

Jack Goldstein was one of the most important artists of the 80’s in New York. He returned to California in the 90’s and slowly disappeared from the art world until renewed interest in his work began to happen in 2000. He was in the first graduating class from CalArts and went on to experiment with performance, film, recording, sculpture, and painting. His art of the late seventies, eighties, and early nineties influenced many artists who came after him. He died on 14 March, 2003.