The catalogue of the 15th Baltic Triennial at CAC in Vilnius is conceived as a visual book in two parts: one is dedicated to the Prologue, which took place a year prior to the main exhibition; the other documents the Triennial itself. In addition to contributions by Adrianna Glaviano, the book features two poems by Emerson – a figure who emerges from the archive of Greek photographer and writer George Tourkovasilis, and whose poems served as entry points to both the Prologue and the main exhibition.

Edited by Tom Engels and Maya Tounta and designed by Julie Peeters, the book draws formal inspiration from the publications of James Lee Byars.

Produced on the occasion of the films of Josef Dabernig featuring at G.R.A.M.en / and Markus Scherer, 18 May–29 June, 2003. More information can be found here.

Josef Dabernig is an artist and filmmaker, whose work uncovers the monotony and coercion that can dominate even the most expected daily actions.

Produced on the occasion of the exhibition Josef Dabernig: Proposal for a New Kunsthaus, not further developed at the Grazer Kunstverein, Graz, 4 June–11 June, 2004.

This publication coincides with the exhibition Lacrimosa by Josef Dabernig. It is the ninth in a series of compact volumes featuring visual contributions, correspondence, and conversations that accompany the exhibition program of the Grazer Kunstverein. The publication includes an essay by Krzysztof Kosciuczuk and a visual essay by Dabernig, featuring photographs taken on the film set of Lacrimosa (2024).

Edited by Tom Engels. Designed by Julie Peeters.

Produced on the occasion of Josef Dabernig’s exhibition at Secession, Vienna, 30 September–31 November, 1992. With texts from Josef Dabernig, Christian Kravagna and Adolf Krischanitz.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Josef Dabernig’s exhibition at Secession, Vienna, 30 September – 31 November, 1992. With texts from Josef Dabernig, Christian Kravagna and Adolf Krischanitz.