Published in conjunction with the first comprehensive retrospective of the artist’s epically diverse body of work, this publication encompasses Genzken’s work in all media over the past 40 years and is the most complete monograph on the artist available in English. The catalogue presents Genzken’s career, through essays exploring the unfolding of her practice from 1973 until today, as well as an expansive plate section that provides a chronological overview of all her most important bodies of work and key exhibitions.

*Please note this publication is secondhand and may have some traces of previous ownership.

Published to accompany the exhibition LEAPS JUMPS AND BUMPS, this flip book focuses on one of Sturtevant’s more recent works, Finite Infinite (2010), a large scale projection that features a dog running in an endless loop across an expanse of grass. Finite Infinite, like many of Sturtevant’s video works, references the endlessly repeating imagery that has become so prevalent in the world we live in today. Looping and repetition, key themes throughout Sturtevant’s practice, are also elegantly drawn out in the insightful text by Daniel Birnbaum included in this book.

Produced on the occasion of the exhibitions at Palacio de Velázquez, Museo Nacional Centro de Arte Reina Sofía, Madrid, 8 November, 2012–15 April, 2013 and Kunsthaus Graz, Universalmuseum Joanneum, Graz, 7 June–1 September, 2013. With texts by Eva Badura-Triska, Archiv HZ, Jürgen Bock, Achim Hochdörfer, Andrew Renton and Gertrud Sandqvist.

Produced on the occasion of the exhibition Ludzie z podziemia (The Men from the Underground) curated by Kasia Redzisz and presented by Open Art Projects, Otwock.

“The men from the underground are allergic to social positivism and utilitarianism. They abhor humans who aspire to physical health, labour and reasonable material wealth. They see themselves as the enemy of this. Without realising it, they rule over a subterranean kingdom.” Jos de Gruyter & Harald Thys.

A reissue of Ralph Manheim’s translation of Handke’s 1986 novel Repetition, previously out of print for a quarter of a century.

“In Repetition, Handke allows the peculiar light which illuminates the space under a leafy canopy or a tent canvas to glisten between words, placed here with astounding caution and precision; in doing so, he succeeds in making the text into a sort of refuge amid the arid lands which, even in the culture industry, grow larger day by day.” W. G. Sebald

Produced on the occasion of the exhibition Documenting Cadere, 1972–1978, MuZEE, Oostende, 2 March–2 May, 2013, curated by Lynda Morris.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

You can see Lynda Morris talking about Cadere here.

*Please note this publication is secondhand and has some traces of previous ownership.