Often employing methods of surveillance and exploring the idea of privacy in her work, Sophie Calle also utilizes “ready-made” images to address these themes. In her series Cash Machine, photographs are made from ATM video surveillance footage. Each work is exhibited as a sequence of two to eleven images.

*Please note this publication is secondhand and may have some traces of previous ownership.

First anthology of the writings by the American painter Steven Parrino. Predominantly a painter, in his oeuvre Parrino developed a unique visual idiom that, on the one hand, draws on various subcultural movements and, on the other, displays clear references to the history of visual art of the twentieth century and beyond. Parrino’s work is defined by an unconditional will to be free that stems from American biker culture and is also influenced by punk rock existentialism.

*Please note this publication is secondhand and may have some traces of previous ownership.

Lily van der Stokker has been renowned since the early 1990s for her playful wall paintings in bright colours. Floral motifs and ornamental clouds are dominant patterns in world whose aesthetic and fluorescent palette bring Pop art to mind. Meticulously executed in a time-consuming and labor-intensive process, the murals are based on small-format drawings the artist prepares with scrupulous precision. Comedy, satire and irony are hallmarks of van der Stokker’s oeuvre.

Produced on the occasion of the films of Josef Dabernig featuring at G.R.A.M.en / and Markus Scherer, 18 May–29 June, 2003. More information can be found here.

Josef Dabernig is an artist and filmmaker, whose work uncovers the monotony and coercion that can dominate even the most expected daily actions.

Part of a large cycle comprised of different series of polyptychs with the subject matter of marble graves without any reference to dates, places or names, Sophie Calle encourages a reflection on those relationships that, in their presence or absence, define each person’s identity. Even though anonymous, each tomb in the series contains a real body that was once a person and remains alive as a memory and as a site allowing the opportunity to worship that memory by the survivors.

*Please note this publication is secondhand and has some traces of previous ownership.

Part of a large cycle comprised of different series of polyptychs with the subject matter of marble graves without any reference to dates, places or names, Sophie Calle encourages a reflection on those relationships that, in their presence or absence, define each person’s identity. Even though anonymous, each tomb in the series contains a real body that was once a person and remains alive as a memory and as a site allowing the opportunity to worship that memory by the survivors.

*Please note this publication is secondhand and has some traces of previous ownership.