Edited by Alexander Schröder with Dominic Eichler and Marianna von Palombini.

Over 190 contemporary artists, designers, curators, and writers appear in this anthology. MD72 was established by Alexander Schröder – known both as a gallerist and a collector. Events there reflected the legacies of context art and post-institutional critique, of Berlin’s cultural conditions after German reunification as broader debates informed by postfeminism, postcolonial thought and queer strategies came to the fore. Along with extensive visual documentation of exhibitions and artworks, the book is also a compendium of eyewitness reviews, essays, exhibition notes, interviews, book extracts, and commentary from a wide range of authors.

Produced on the occasion of Tip of the iceberg: selected works 1985–2001 at the University Art Museum, University of Queensland, 16 February–28 March, 2001 and The Ian Potter Museum of Art, The University of Melbourne, 3 July–9 September, 2001.

Working together since the early 1980s, Janet Burchill and Jennifer McCamley have developed an expansive framework of formal and thematic concerns drawing broadly on the histories of art and design, film, literature and cultural theory. Influenced by feminism, and applying an appreciation and critique of modernism, they make visually stunning artworks across an ever-expanding repertoire of mediums—from painting and sculpture, photography and printmaking, to neon light and textile works.

Invitation produced on the occasion of Janet Burchill & Jennifer McCamley’s exhibition NEON at the Art Gallery of New South Wales, Sydney, 26 June–14 August, 2005.

A set of 8 postcards in a plastic slipcase, produced by Janet Burchill and Jennifer McCamley in 2002.

Catalogue of an exhibition held at Künstlerhaus Bethanien, Berlin, 27 November–13 December, 1993 by Australian artists Janet Burchill and Jennifer McCamley. Catalogue essay in English and German by Rex Butler.

Working together since the early 1980s, Janet Burchill and Jennifer McCamley have developed an expansive framework of formal and thematic concerns drawing broadly on the histories of art and design, film, literature and cultural theory. Influenced by feminism, and applying an appreciation and critique of modernism, they make visually stunning artworks across an ever-expanding repertoire of mediums—from painting and sculpture, photography and printmaking, to neon light and textile works.

Essay contributions by Sue Cramer, Justin Clemens, Helen Hughes, Juan Davila, Kyla McFarlane and Rex Butler.