Produced on the occasion of the exhibition Man Ray: fotografie at Museum Kampa, Prague, 26 June–18 August, 2002.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Manfred Pernice’s exhibition 1A – Dosenfeld’00, at Portikus, Frankfurt am Main, 11 March–30 April, 2000.

Since the early 1990s, Berlin-based artist Manfred Pernice has created sculptural vessels with scales, materials, and aesthetics derived from the worlds of architecture, shipping cargo, and mass packaging—these works serve as complex, open-ended meditations on the increased segmentation, containment, and, to use Pernice’s term, “canning” of objects and space. His seemingly slapdash sculptures are often juxtaposed with sketches, maquettes, photographs, text and, more recently, video to create systems of meaning.

With texts by Kasper König, Angelika Nollert, Harald Fricke, Peter Herbstreuth, Angelika Nollert, Isabel Podeschwa.

Produced on the occasion of the exhibition Yayoi Kusama: Zwischen Welten wandeln at the Kunsthalle Wien, 8 February–28 April, 2002.

Yayoi Kusama’s (b. 1929) work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.

*Please note this publication is secondhand and may have some traces of previous ownership

Jef Geys voor beginners reproduces all the seed sacks that Geys has painted every year since 1963. They are, without any explanation, depicted chronologically and in the form of black-and-white line drawings on the recto side. There is an empty frame on the verso, where the owner of the book can notionally stick a coloured reproduction of the painting in question (This copy comes without the original colour inserts).

*Please note this publication is secondhand and may have some traces of previous ownership.

Filmmaker Chantal Akerman presents A Family in Brussels, a fictional stream-of-consciousness text encompassing multiple subjectivities and laced with autobiographical references.

This is the first English-language publication of the work, which Akerman wrote and first performed as a monologue in Paris and Brussels. The accompanying recording documents the theatrical reading that took place at the Dia Center for the Arts, New York, in October 2001. The listener can hear Akerman’s singular voice as she muses on familial relations, communication, closeness, and distance.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Luft und Wasser at the Dresdner Bank, Frankfurt am Main, Germany, 2002. With a text by text by Isabel Podeschwa. Designed by Wolfgang Breuer and Achim Reichert (Vier5).

*Please note this publication is secondhand and has some traces of previous ownership.