Family, kin, clan, clique, coterie, fandom, elective affinity, alliance, collaboration, network. These forms of social structures are reflected in the materials assembled in this catalogue: invitation cards, flyers, fanzines, journals, and texts from the 1990s and 2000s. Documents that are arranged chronologically on a timeline provide an insight into the developments of visual art at that time in Cologne and New York. Selected historical essays and reviews reflect virulent theoretical debates; interspersed data point to socio-political events and influential exhibitions. The catalogue accompanies the exhibition of the Schröder Donation with works by Kai Althoff, Cosima von Bonin, KP Brehmer, Tom Burr, Lukas Duwenhögger, Isa Genzken, Dan Graham, Renée Green, Ull Hohn, Hilary Lloyd, Lucy McKenzie, Christian Philipp Müller, Nils Norman, Stephen Prina, and Danh Vo.
Produced on the occasion of the exhibition Le choix des femmes at Le Consortium and Frac Bourgogne, Dijon. Including Hanne Darboven, Gretchen Faust, Isa Genzken, Marthe Wéry, Laurie Parsons, Jessica Stockholder, Judith Barry, Annette Messager, Cindy Sherman, Rosemarie Trockel, François Vergier. With texts by Eric Colliard, René Denizot, Xavier Douroux, Franck Gautherot, Bernard Marcadé.
This comprehensive catalogue documents the installation of Isa Genzken’s eponymous exhibition at Neue Nationalgalerie Berlin, 13 July–27 November, 2023. Alongside many photographs, the catalogue assembles texts by Dieter Schwarz, Sabine Breitwieser, Manfred Hermes, Tom McDonough, Juliane Rebentisch, Isa Genzken, conversations with Isa Genzken and Wolfgang Tillmans, and Isa Genzken and Diedrich Diederichsen, a preface by Klaus Biesenbach and Lisa Botti, and a new essay by Diedrich Diederichsen. Designed by Julie Peeters, edited by Daniel Buchholz and Christopher Müller.
Produced on the occasion of the exhibition Isa Genzken/Caroline Van Damme at the Museum Dhondt-Dhaenens in Deurle, 17 May–5 July, 1998. Curated by Luk Lambrecht. Designed by Studio Luc Derycke.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of the group exhibition Love is Colder than Capital at The Kunsthaus Bregenz, 2 February–14 April, 2013, which brought together 16 artists who explore the interrelationships of economics and feelings in contemporary society.
Curated by Yilmaz Dzierwior and including artists Neil Beloufa, Minerva Cuevas, Mariechen Danz, Isa Genzken, Hans Haacke, Keith Haring, Teresa Margolles, Ken Okiishi, Julika Rudelius, Yorgos Sapountzis, Cindy Sherman, Andreas Siekmann, Dirk Stewen, Pascale Marthine Tayou, Rosemarie Trockel, Cathy Wilkes.
This artist’s book designed by Belgian artist Olivier Foulon is the result of a years-long research into Isa Genzken’s abandoned sculpture project Ring, a public sculpture originally planned for the exhibition Beelden in de Stad/Sculpture in the City as part of Rotterdam ’88 from 13 May–1 October 1988, whose various prefabricated parts allegedly still lie dormant in the port of Rotterdam. It features two essays on Isa Genzken by Jan van Adrichem, a section gathering archival documents, and a comprehensive press kit referring to the aborted project.