Der Stand der Dinge
Published by Kölnischer Kunstverein, Köln, 1994, 84 pages (colour & b/w ill.), 16 × 24 cm, German
Price: €24 (Temporarily out of stock)

Produced on the occasion of the group exhibition Der Stand der Dinge,  29 October–23 December, 1994 at the Kölnischer Kunstverein, Köln, curated by Udo Kittelmann.

Including artists Lawrence Carroll, Peter Fischli & David Weiss, Urs Frei, Franka Hörnschemeyer, Martin Kippenberger, Matthew McCaslin, Thom Merrik, Laurie Parsons, Joe Scanlan, Andreas Techler, Rikrit Tiravanija, Birgit Werres and Erwin Wurm.

#1994 #kolnischerkunstverein #laurieparsons #martinkippenberger #peterfischliampdavidweiss #rikrittiravanija #udokittelmann
Status of Sculpture
Published by Espace lyonnais d'art contemporain, Lyon, 1990, 128 pages (colour & b/w ill.), 20.7 × 30.7 cm, French / English
Price: €38 (Out of stock)

Produced on the occasion of the exhibition Status of Sculpture, curated by Bernard Brunon at Espace lyonnais d’art contemporain, 1990. Including the artists Jennifer Bolande, Robert Gober, Tishan Hsu, Jon Kessler, Christian Marclay, Patty Martori, Cady Noland, Laurie Parsons, Nancy Shaver, and Dustin Shuler.

*Please note this publication is secondhand and has some traces of previous ownership.

#1990 #cadynoland #laurieparsons #nancyshaver #robertgober #tishanhsu
36 Slides 1986–1990
Laurie Parsons
Published by Hassla Books, New York, 2021, 64 pages (colour & b/w ill.), 17 × 22.2 cm, English
Price: €23 (Out of stock)

“The images that comprise this book come from two sheets slides that I have held onto for almost thirty years now. Over that time I have projected them talks I gave here and there, although never a talk devoted solely to the person that took them.That would be Laurie Parsons, an artist who was active between 1986 and 1994, a period of about 9 years . In the first three, she focused on found objects, things she would bring back from the urban, the natural, industrial environment, or their intersection.”—Bob Nickas, 2021

#2021 #laurieparsons #robertnickas
Robert Nickas
Published by Imschoot Uitgevers, Ghent, 1990, 144 pages (colour & b/w ill.), 24.5 × 25.8 cm, English / Dutch / French
Price: €19 (Out of stock)

Produced on the occasion of the exhibition RED, curated by Robert Nickas at Isa Brachot Gallery, Brussels, 27 June–29 September 1990.

Including artists John Armleder, Barry X Ball, Robert Barry, Felix Gonzalez-Torres, Marcia Hafif, Peter Halley, Donald Judd, Yves Klein, Imi Kneobel, Bertrand Lavier, Ken Lum, Olivier Mosset, Chuck Nanney, Steven Parrino, Laurie Parsons, Alan Uglow, Franz Erhard Walther, Lawrence Weiner amongst others.

Designed by Luc Derycke.

#1990 #barryxball #chucknanney #felixgonzaleztorres #franzerhardwalther #imschootuitgevers #johnarmleder #kenlum #laurieparsons #lucderycke #oliviermosset #peterhalley #robertnickas #stevenparrino
Le choix des femmes
Published by Le Consortium and Frac Bourgogne, Dijon, 1991, 100 pages (colour & b/w ill.), 23 × 27 cm, French
Price: €18

Produced on the occasion of the exhibition Le choix des femmes at Le Consortium and Frac Bourgogne, Dijon. Including Hanne Darboven, Gretchen Faust, Isa Genzken, Marthe Wéry, Laurie Parsons, Jessica Stockholder, Judith Barry, Annette Messager, Cindy Sherman, Rosemarie Trockel, François Vergier. With texts by Eric Colliard, René Denizot, Xavier Douroux, Franck Gautherot, Bernard Marcadé.

#1991 #annettemessager #cindysherman #isagenzken #jessicastockholder #laurieparsons #rosemarietrockel
Laurie Parsons
Published by M HKA, Antwerp, 1993, foldout poster (colour ill.), 14.7 × 21 cm (folded) 42 × 29.5 cm (unfolded), English
Price: €15 (Out of stock)

A single poster contribution from the original publication On Taking a Normal Situation and Retranslating it Into Overlapping and Multiple Readings of Conditions Past and present.

An exhibition devised by Yves Aupetitallot, Iwona Blazwick and Carolyn Christov-Bakargiev within the framework of ANTWERP 93. Its title was inspired by Gordon Matta Clark who made one of his final works in the city, and which in turn led to the foundation of M HKA. In some ways the subject of this exhibition was ‘the exhibition’. What it proposed, however, was a new relation between structure, location, context, artist and audience.

#1993 #ephemera #laurieparsons