Produced on the occasion of the exhibition Sigurdur Gudmundsson at Galerie Paul Andriesse, Amsterdam, 2 September–29 September, 1990.
*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Sigurdur Gudmundsson at Galerie Paul Andriesse, Amsterdam, 2 September–29 September, 1990.
*Please note this publication is secondhand and has some traces of previous ownership.

Icelandic artist Sigurdur Gudmundsson works across photography, text, sculpture, painting, performance. In the 1970s and 1980s he was best known for a series of photographic works, called Situations.
*Please note this publication is secondhand and has some traces of previous ownership.

Icelandic artist Sigurdur Gudmundsson works across photography, text, sculpture, painting, performance. In the 1970s and 1980s he was best known for a series of photographic works, called Situations.
*Please note this publication is secondhand and has some traces of previous ownership.


Zoo Index Reader examines the relevance and effect that zoos have in shaping our gaze towards non-human animals and by extension ourselves/each other. Through a mixture of visual research into zoological space—in the form of an A-Z glossary—and written contributions on the history of menageries, the confinement and privatization of land, pets, zoo architecture, the “naturalization” of animals, and the role of zoos and animals in the history of cinema, among many other things, this first volume asks: Do we need zoos? What does a meaningful coexistence with animals look like? Why have we decided to give a balloon to an elephant? Designed by Terezie Štindlová.







Body Starting to Change is a conversation on music between two artists. When in 1960s despite the official ban foreign radio stations gained in availability within USSR, the newscasts and political comments broadcasted by them became an important part of alternative education. Musical programmes were of no less or perhaps of even more importance as they exposed the vitality of youth culture (or subculture) behind the Iron Curtain. Deimantas Narkevičius shares his musical experiences with Elena Narbutaitė, starting with this period of ‘catching waves’ and continuing until 1993, when the introduction to the London music scene became the turning-point (sooner or later experienced by many) in the artist’s relationship to the changing urban culture. The publication includes watercolours by Elena Narbutaitė, the reproduction of the cover of Satori, an album by Flower Travellin’ Band, stills from July 20, 2015, the (then) new film by Deimantas Narkevičius, and graphics by Mark Geffriaud.
Published as part of the XII Baltic Triennial. Designed by Julie Peeters.




Memories of the Star (Žvaigždės atsiminimai) is an artist book by Elena Narbutaitė published in two separate Lithuanian and English editions alongside the artist’s solo exhibition Prosperity at the Contemporary Art Centre, Vilnius, 16 June–14 August, 2017.
With texts from Elena Narbutaitė, Candice Lin, Marcel Proust, Bernardo José de Souza, Luca Turin, Raimundas Malašauskas. Designed by Vytautas Volbekas and insert designed by Goda Budvytytė.
Documentation of the exhibition can be seen here.