Craft Horizons was an influential American craft magazine published from 1941 to 1979 that documented and shaped the mid-century studio craft movement.
*Please note this publication is secondhand and may have some traces of previous ownership.
Produced on the occasion of Eduardo Paolozzi’s exhibition at the Stedelijk Museum, Amsterdam, 25 May–30 June, 1968. Eduardo Paolozzi was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of pop art.
Designed by Wim Crouwel. SM Cat no. 442.
*Please note this publication is secondhand and may have some traces of previous ownership.
Produced on the occasion of the exhibition Vormgevers at the Stedelijk Museum, Amsterdam from 5 April–23 June, 1968. A survey exhibition of industrial design from the time including Piet Zwart, Ettore Sottsass, Joe Colombo, Dieter Rams, AD Copier. Designed by Wim Crouwel and Alice Bailly.
Produced on the occasion of Alina Szapocznikow’s exhibition at Galerie Cogeime, Brussels, 12 November–3 December, 1968.
Alina Szapocznikow was a polish sculptor who as a Holocaust survivor began working in the post-war period in a rather classical, figurative manner, her later experimentation and reconception of sculpture left behind a legacy of provocative objects—at once sexualized, visceral, humorous, and political—that sit uneasily between Surrealism, Nouveau Réalisme, and Pop Art. Her tinted polyester-resin casts of her lips and breasts transformed into quotidian objects like lamps or ashtrays, her spongy polyurethane forms often embedded with casts of bellies or live grass, and her construction of resin sculptures that incorporate found photographs remain as remarkably biting, visionary, and original today as when they were first made.
Produced on the occasion of Robert Rauschenberg’s exhibition at the Stedelijk Museum, Amsterdam, 23 February–7 April, 1968.
SM Cat. No 433.
Designed by Wim Crouwel.
*Please note this publication is secondhand and has some traces of previous ownership.
With cover artwork by Jiří Kolář.
*Please note this publication is secondhand and has some traces of previous ownership.