Produced on the occasion of Tony Coke’s first institutional solo exhibition in Germany, a collaboration between Kunstverein München and Haus der Kunst. The thematic starting point for Cokes’s new productions is the ideological and propagandistic entanglements of both exhibition venues during the Nazi era as well as their cultural-political role in the context of the 20th Olympic Games in Munich in 1972.

The publication accompanies the eponymous exhibition and translates stills from the newly produced video essays into a book format while examining the significance of Cokes’s work in terms of a contemporary approach to institutional critique. The essays are written by Tina M. Campt and Tom Holert, with an introduction by Emma Enderby and Elena Setzer (Haus der Kunst) as well as Maurin Dietrich, Gloria Hasnay, and Gina Merz (Kunstverein München).

Produced on the occasion of the exhibition Me in my going out of myself (and you in yours) by Reinier Vrancken & Émile Hermans at SB34 The Pool, Brussels. Designed by Robert Milne.

“…exchanges and relationships—from me to you and vice versa—with circulating objects and identities, fiction and artificiality, and unstable ontological statuses. From Émile Hermans to Reinier Vrancken, or the other way around, it’s a matter of becoming the other a little, of letting oneself be taken in hand so as to project unexpressed desires. In the space of SB34-The Pool, clothes are lent, flowers offered, we breathe the scent of a stranger, choose the work of a friend, project ourselves through it, and finally, with circumspection, decide on the status of what we have observed.”—exhibition press release

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibitions; Etel Adnan at Städtische Galerie im Lenbachhaus München and Etel Adnan: Poetry of Colors at Kunstsammlung Nordrhein-Westfalen, Düsseldorf.

It gathers artworks from all periods of the internationally renowned artist’s oeuvre and in a wide range of media. Side by side with her small-format abstract paintings, whose intensity of colour lends them an almost mystical quality, her monumental tapestries, delicate works on paper, leporellos, and experiments on film shed light on her specific engagement with questions of colour and form and with the cosmic dimension of time, space, and the spiritual.

Second catalogue published by Seth Siegelaub’s International General book publishing and distribution project. In 1970, Siegelaub founded the company in an effort to streamline the dissemination of his self published exhibition catalogues as well as celebrated books & catalogues by Lippard, Ruscha, Weiner, Barry, Kosuth, and Dibbets.

*Please note this publication is secondhand and has some traces of previous ownership.

In 2015, the Frans Masereel Centre started a collaboration with Geys to publish parts of his archive. The first archive publication, Archief 1 and Archief 2, consists of two thick volumes in A4 format with more than 800 scanned archive documents, and appeared on the occasion of Geys’s solo exhibition in the SMAK in 2015. The material was presented as it was, without any explanation or hierarchy. Archief 6 and 7 (2022) are the final two volumes in the series. Edited by Sofie Dederen.