Produced on the occasion of Richard Tuttle’s 1991 exhibition at the Institute of Contemporary Art, Amsterdam.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Richard Tuttle’s exhibitions at the Whitney Museum of American Art, New York, 12 September–16 November, 1975 and the Otis Art Institute Gallery of Los Angeles County, Los Angeles, 16 January–29 February, 1976. With an essay by Marcia Tucker.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Richard Tuttle’s participation in the group exhibition Das kleine Spiel zwischen dem Ich und dem Mir – Kunst und Choreografie at Kolumba Museum, Köln.

Produced on the occasion of Richard Tuttle’s participation in the group exhibition Das kleine Spiel zwischen dem Ich und dem Mir: Kunst und Choreografie at Kolumba Museum, Köln.

This early piece by Richard Tuttle consists of 10 drawings laid out on the floor using pieces of string. The traces of physical gestures that are incorporated into the piece open up a field of possibilities, enabling the visitors to become actors with their own agency. The notation for this piece is documented here and a video of the performance can be seen here.

Produced on the occasion of Richard Tuttle’s exhibition Kill Someone: Arbeiten Auf Papier, at Christian Lethert, Köln, 6 September–31 October, 2019.

An elaborate artist book with 18 cards, loosely bound by a weaver knot.

Richard Tuttle has worked in close collaboration with the Kunsthaus Zug as the “in-house artist” for almost twenty years. Through fragile, mostly small, subtle paintings as well as sculptural objects and three-dimensional installations, he continues to explore special features of the museum’s architecture or selected works from its collection. Tuttle poses questions about endurance and continuity, rhythm and repetition in the various cultures of contemporary global society.