Produced on the occasion of the exhibition Example: Dix-Huit Leçons sur la Société Industrielle at the Contemporary Art Gallery, January 13 – March 6, 2005.

It includes a forward by Christina Ritchie, essays; Mechanization takes command: Modernization, Terminable and interminable by John Miller and Some References for Christopher Williams by Claudia Beck.

Designed by Christopher Williams with Yvonne Quirmbach.

Video peepshows, porno theatres, garden pavilions—with subtle insight, Tom Burr (*1963) sheds light upon what is marginalized, or not immediately recognizable. His works, which make reference to Minimal art’s object sculptures, redefine them in current socio-economic “queer” aspects. By acting as an intermediary between formal stringency and socio-political content, Tom Burr’s works overcome Hal Foster’s criticism that Minimal art tended to “handle the viewer as historically innocent and sexually indifferent.” With comprehensive texts and illustrations, this book features an artist who belongs among those who have shaped a new form of institutionally critical art.

With texts from Tom Burr, Carina Herring and Juliane Rebentisch.

Produced on the occasion of the exhibition Kunst Aus Los Angeles Der 60Er Bis 90Er Jahre at the Kunstverein Braunschweig, 2 December, 2006–18 February, 2007, which concentrated on artistic positions from the Sixties to the Nineties and on works which explore conceptual approaches (Bas Jan Ader, Michael Asher, John Baldessari, Chris Burden, Douglas Huebler, Larry Johnson, William Leavitt, Bruce Nauman, Maria Nordman, Stephen Prina, Allen Ruppersberg, Ed Ruscha, Christopher Williams) as well as on Mike Kelley, Paul McCarthy and Raymond Pettibon’s more recent Pop-Art-based assemblages which expose everyday myths, prejudices, and tenets of belief as lies that serve to perpetuate social oppression.

Designed by Yvonne Quirmbach.

Produced on the occasion of Maria Eichhorn’s exhibition at Kunsthaus Bregenz, 10 May–6 July, 2014. This comprehensive and chronologically structured catalogue raisonné orders the work of the artist Maria Eichhorn according to art history and is supplemented by extensive image and archive material on her works, projects and exhibitions since 1986.

With the addition of large-format illustrations of the exhibition in Bregenz, this is one of the most comprehensive publications on the work of the artist to date. Designed by Yvonne Quirmbach.

Produced on the occasion of Haegue Yang: Arrivals at Kunsthaus Bregenz, 22 January–3 April, 2011. This publication is the third in a series of catalogues raisonnée assembled by Kunsthaus Bregenz: compiled by Katharinea Schwerendt, this catalogue comprehensively covers the work of Haegue Yang. With texts from Marina Vishmidt, Anders Kreuger and Yilmaz Dziewior. Designed by Yvonne Quirmbach.

Produced on the occasion of Florian Pumhösl’s 2012 exhibition at Kunsthaus Bregenz, it documents the exhibition and also catalogues all of Pumhösl’s exhibitions since 1993. The exhibition consisted of plaster panels in three different sizes grouped in threes, the order of each trio beginning with the smallest and ending with the largest format. The progression of the 45-piece series of 15 subjects, subtitled Cliché, takes its lead from the Bauhaus artist László Moholy-Nagy’s enamel pictures. In contrast to Moholy-Nagy, who delegated the task in the case of his telephone pictures to a specialist firm, Pumhösl himself applies the formal effects to his panels using what he refers to as a cliché stamp.

With texts from Juli Carson, André Rottmann and Yilmaz Dziewior. Designed by Yvonne Quirmbach.