Produced on the occasion of Christian Philipp Müller’s participation in documenta X in 1997, where he presented A Balancing Act, which took as its point of departure Joseph Beuys’ 7000 Oaks and Walter de Maria’s Vertical Earth Kilometer.

Christian Philipp Müller is a Berlin-based Swiss conceptual artist whose practice examines a range of issues from social and aesthetic concerns to design, national histories, and the institutional framing of culture. His projects are usually collaborative, interdisciplinary, and site-specific.

You can read more on the work (from October Vol. 82 (Autumn, 1997) here.

Invitation card produced on the occasion of the exhibition Jef Geys at Kunsthalle Bern, 29 May–25 July, 2021.

Produced on the occasion of the exhibition Balkon at the Kulturreferats der Landeshauptstadt München, 15 May–16 June, 1987, curated by Michaela Melián and featuring the artists; Johanna Heß, Ika Huber, Johanna Kandl, Jutta Koether, Michaela Melián, Bettina Semmer, Rosemarie Trockel. With an introduction by Gislind Nabakowski.

Produced on the occasion of Jutta Koether’s exhibition Fantasia Colonia at the Kölnischer Kunsteverin, Köln 26 May–13 August, 2006 and Kunsthalle Bern, 19 January–11 March, 2007.

Texts by Diedrich Diederichsen, Isabelle Graw, Martin Prinzhorn, Michael Kerkmann and a conversation with Jutta Koether, Sam Lewitt and Eileen Quinlan.

Bob Nickas’ review of the Kölnischer Kunsteverin exhibition can be found here.

Produced on the occasion of the German artist, musician and critic, Jutta Koether’s exhibition Massen at the Generali Foundation, Vienna, 6 November–20 December, 1991. Curated by Sabine Breitwieser. With texts by Michaela Eichwald and a conversation between Jutta Koether and Diedrich Diederichsen.

The first overview of the variety and scope of the research carried out by Renée Green over the past twenty years. Green’s work is located both within the legacy of the most ambitious achievements of Conceptual and post-Minimal art, and within a post-colonial critique of culture. It often takes the form of complex, multi-layered archive-like installations that employ a vast array of sources, and point to a variety of issues, always involving the spectator as active participant through multiple points of access.

Texts by Nora Alter, Diedrich Diedrichsen, Renée Green, Kobena Mercer, Catherine Quéloz, Juliane Rebentisch, Gloria Sutton, Elvan Zabunyan.