Including contributions from Rosa Aiello, Mathis Altman, Tenzing Barshee, Gerry Bibby, The Parliament of Bodies, John Boskovich, Mercedes Bunz, Elijah Burgher, David Bussel, Gu Cheng, Mihaela Chiriac, Jay Chung, Eric D. Clark, Hans-Christian Dany, Bei Dao, Simon Denny, Nikola Dietrich, Francesca Drechsler, Martin Ebner, Melvin Edwards, Haytham El-Wardany, Stefanie Fezer, Carter Frasier, María Galindo, Julian Göthe, Michèle Graf, Selina Grüter, Cornelia Herfurtner, Daniel Herleth, Karl Holmqvist, Stephan Janitzky, Samuel Jeffery, Julia Jung, Mang Ke, Yuki Kimura, Valérie Knoll, Jakob Kolding, Lars Bang Larsen, Elisa R. Linn, Sebstian Lütgert, Ariane Müller, Robert M. Ochshorn, Henrik Olesen, Vera Palme, Paul B. Preciado, Elizabeth Ravn, Ulla Rossek, Huang Rui, Mark von Schlegell, Max Schmidtlein, Nora Schultz, Nong Shoahua, Jack Smith, Dan Solbach, Vera Tollmann, Amelie von Wulffen, Mark van Yetter, Florian Zeyfang.

Designed by Dan Solbach & Starship.

Of course there is the practice of art by the artist, but an exhibition is even more so an engagement between people, places, institutions, projections, desires, coincidences, memories, and temporalities. In this monograph, artist Megan Francis Sullivan chooses the format of oral history, engaging various akteurs of the field to produce a web of language reflecting a shape of time.

With discussions with Jean-Claude Freymond-Guth, Melanie Ohnemus, David Lieske, Cornelia Kastelan, John Rasmussen, Marie Angeletti, Kelsey Olson, Megan McCready, Sara De Bondt, Antony Hudek, Alexander Schröder, Valérie Knoll, Helmut Draxler, Aura Rosenberg, John Miller, Robert Müller, Cecilie Norgaard, Moritz Scheper, Maximiliane Baumgartner and an essay by Hannes Loichinger, “The Painting of Hans Haacke.”

Edited by Marie Angeletti with Gianmaria Andreetta and Camilla Wills.

Paradis is a continuation of the eponymous exhibition conceived by artist Marie Angeletti in Marseilles in 2021. The exhibition brought together 56 artists of different origins and generations. More than just a transcription of this event, this catalogue brings together some one hundred contributions, combining critical texts, poetry, artists’ writings and new translations, alongside an equally large number of visual contributions and ad hoc works, most of them previously unpublished.

Published following the eponymous exhibition at Kunsthalle Bern in 2020–2021. A cultural examination of the enigmatically iconic figure of the Dandy, both in history and as a figure for the future.

With Kai Althoff, Lutz Bacher, Kévin Blinderman / Pierre-Alexandre Mateos / Charles Teyssou, Marcel Broodthaers, Ursula Böckler, Marc Camille Chaimowicz, Hanne Darboven, Stephan Dillemuth, Victoire Douniama, Lukas Duwenhögger, Cerith Wyn Evans, Sylvie Fleury, Andrea Fraser, Sophie Gogl, Gogo Graham, Jos de Gruyter & Harald Thys, David Hammons, Birgit Jürgenssen, K Foundation, John Kelsey, Michael Krebber, Miriam Laura Leonardi, David Lieske, Mathieu Malouf, Ulrike Ottinger, Mathias Poledna, Raymond Roussel, Heji Shin, Reena Spaulings, Sturtevant, Bernadette Van-Huy, James McNeill Whistler, Virginia Woolf.

Designed by HIT.

The New York gallery American Fine Arts, Co.—whose name today is largely synonymous with that of its gallerist, Colin de Land (1955–2003)—represents a gallery practice in which a decided deviation from conventional models overlaps with successful activities within the framework of the art market. Today, American Fine Arts, Co. and de Land figure as uncontested projection screens for the desire for independence from or bohemian resistance against the dictate of the market.

Texts by Andrea Fraser, Manfred Hermes, Karl Holmqvist & Tobias Kaspar, Isla Leaver-Yap, Jackie McAllister, James Meyer & Christian Philipp Müller, Magnus Schäfer, Axel John Wieder, Phillip Zach; conversation between Colin de Land, Josef Strau, and Stephan Dillemuth; introduction by Hannes Loichinger and Magnus Schäfer.

This book documents Amelie von Wulffen’s exhibitions at Reena Spaulings Fine Art, New York; Gió Marconi, Milan; KW Institute for Contemporary Art, Berlin; Établissement d’en face, Brussels; Galerie Meyer Kainer, Wien between 2018 and 2022. With texts from Helmut Draxler, Valérie Knoll & Tonio Kröner.