Despite having been active for only four years before passing away at the young age of twenty-four, Christopher D’Arcangelo (1955–1979) is a key, though lesser known, figure of 1970s Institutional Critique in New York City. Even generations later, D’Arcangelo’s singular approach remains wholly unique in its radicality and generosity. This first estate-approved monograph illuminates his momentous practice after many decades of limited access to the materials surrounding it.

The publication also includes new contributions from figures who have punctuated D’Arcangelo’s practice—such as Peter Nadin, Daniel Buren, Louise Lawler and Janelle Reiring—as well as photographic contributions by artist Heji Shin. Edited by Yana Foqué and Isabelle Sully. Designed by Marc Hollenstein.

Including Jay Chung, Claire Fontaine, Josef Strau, Alain Guiraudie, Bernadette Van-Huy, Helmut Draxler, Henrik Olesen by Thomas Duncan, Heji Shin by Benoît Lamy de la Chapelle, Marcel Proust by Yves-Noël Genod, Merlin Carpenter by Annie Ochmanek, Josephine Graf, Helmut Draxler, Megan Francis Sullivan and Nick Mauss, Dylan Byron and Isabelle Graw, Benjamin Lignel and Anne Dressen, Clément Rodzielski.

A poster with the transcript of Rainald Goetz’s presentation of the English translation of his novel Insane on the occasion of the exhibition opening for the group exhibition Hölle in September 2018 at Galerie Buchholz New York, featuring new or selected works by Lutz Bacher, Caleb Considine, Vincent Fecteau, Rainald Goetz, Sergej Jensen, Jutta Koether, Michael Krebber, Monica Majoli, Albert Oehlen, Henrik Olesen, and Heji Shin.

Produced on the occasion of Straying from the Line at the Schinkel Pavillon from 13 April–28 July, 2019

Straying from the Line was dedicated to a fundamentally expanded perspective on the multiplicity of feminist tendencies in the art of the last 100 years. Instead of presenting a straight narrative of feminist art as a generation- and/or identity-specific style, the exhibition charted a network of multiple references, drawing connections between aesthetically and politically, geographically and historically heterogeneous perspectives.

Vito Acconci, Lynda Benglis, Dara Birnbaum, Jenna Bliss, Pauline Boudry & Renate Lorenz, Teresa Burga, Tom Burr, Claude Cahun, Ellen Cantor, Tony Cokes, Anna Daučíková, Cosey Fanni Tutti, Nicole Eisenman, Ellen Gallagher, Jef Geys, Guerilla Girls, Barbara Hammer, Eva Hesse, Irma Hünerfauth, Mike Kuchar, Maria Lassnig, Leigh Ledare, Alice Lex-Nerlinger, Klara Lidén, Lee Lozano, Sarah Lucas, Ulrike Müller, Gabriele Münter, Anna Oppermann, Charlotte Posenenske, Tim Rollins & K.O.S., Aura Rosenberg, Betye Saar, Heji Shin, Marianna Simnett, Jack Smith, Nancy Spero, Diamond Stingily, Sturtevant, Martine Syms, Rosemarie Trockel, Anna Uddenberg, Raphaela Vogel, Constantina Zavitzanos & Park McArthur.

An A6 arts quarterly, distributed free in book shops and art galleries globally.

• Cover: Camille Paglia photographed by Heji Shin
• Hell Ain’t a Bad Place to be by Charles Asprey
• Camille Paglia On Alcohol and the National Minimum Drinking Age Act
• Camille Paglia On Kenneth Clark’s The Nude (1956)
• Daniel Pflumm: Hallo TV
• The Figures of Ain Ghazal
• Sacha Craddock on Alberto Savinio
• Arabic Typography: Lara Assouad’s Alphabet
• Alfred Kubin at The Lenbachhaus, Munich
• Cady Noland: An everyday hardware of brutality. As told by Kirsty Bell
• Picpus flea logo: Christian Flamm