Produced on the occasion of Thomas Struth’s exhibition at andriesse eyck galerie, Amsterdam, 8 September–13 October, 2018.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Richard Prince’s exhibition The Magic Castle 1968–1969 at Le Consortium, Dijon, in 2011, based on a series of photographs taken when he was student in France. With a text by Richard Prince.

American artist Richard Prince recycles found materials from American popular culture, most often images from advertisement and magazine photography which he re-photographs, silkscreens, overpaints, frames, enlarges, or arranges in collages, playing with their somehow empty meaning.

Bill is an annual magazine of photographic stories without any accompanying text to prioritise visual reading without distraction. Designed, edited, and produced by designer Julie Peeters and associate editor Elena Narbutaite, this issue contains 184 offset printed pages on thirteen different paper stocks. Contributions for this issue include George Tourkovasilis, Cinzia Ruggeri through the lenses of Ilvio Gallo and Occhiomagico, SC103’s first runway, Inge Grognard, Adrianna Glaviano, the contact sheets of Santi Caleca, Rosalind Nashashibi, as well as magazine spreads from Anders Edström, Curtis Cuffie, and Hans Hollein.

Produced on the occasion of Jochen Lempert’s exhibition Natural sources at Huis Marseille, Amsterdam, 10 September–4 December, 2022.

This book features 323 photographic images by B. Ingrid Olson, all taken in 2021. Near sunset, the artist often constructs provisional sculptural arrangements of raw materials, found objects, remnants of her other works, and studio detritus. Carefully stacked or precariously balanced, each temporary assemblage is documented in the evening, when the cast light creates long shadows, accentuating the shapes and textures at hand. The formations are adjusted across multiple images, creating varied sets of near repetitions that evidence Olson’s quick decisions, minor adjustments and the movement of light and shadow at the end of each day.

Produced on the occasion of the 1987 exhibition Marcel Broodthaers in Zuid-Limburg Foto’s/Photographies/Photographien 1961–1970 at the Bonnefantenmuseum, Maastricht. With a foreword by Alexandre van Grevenstein, and texts by Marcel Broodthaers and Ian Jeffrey.