Produced on the occasion of the exhibition John Knight: Some Works at Witte de With Center for Contemporary Art, Rotterdam, 7 April–20 May, 1990 and in collaboration with Rotterdam Arts Council.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of John Knight’s exhibition at Maison de la Culture et de la Communication, Saint-Etienne, 12 November, 1987–16 January, 1988. With texts from Yves Aupetitallot and Claude Gintz.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition John Knight: Treize travaux at FRAC Rhône Alps, Lyon, 25 November, 1989–18 February, 1990. With texts from J. Benzakin and A. Charre.

*Please note this publication is secondhand and may have some traces of previous ownership.

This first monograph on Italian artist Emilio Prini explores his radical approach to art across five decades of work through texts, archival research, and artist interventions. Structured chronologically from 1966 to 2016, it examines his work via a systematic iconographic and bibliographic analysis of Prini’s archives along with the institutions he exhibited at. As he considered the medium secondary to the concept, no distinction is made between installations, sculptures, invitations, posters, or documents; and by presenting the works first individually and then situated in different contexts, the book provides a unique insight into his particular methodology.

Edited by Luca Lo Pinto. Contributions by Alexander Alberro, Stefano Chiodi, Lara Favaretto, Adam Harrison, John Knight, Hans Ulrich Obrist, Luca Lo Pinto, Timotea Prini, Anri Sala, Andrea Viliani. Designed by Experimental Jetset.

Robert Snowden, the author of Vacant Possession, takes as his starting point the occasion of the closing show of the same name by the artist John Knight at Cabinet Gallery, Old Street in 2016. The text becomes an enquiry into the unrealised projects in the archive of the artist, and a reflection on the nature of the unmade, of memory and material evidence.

This catalogue has been printed in relation to the exhibition Quiet Quality, which took took place in two sites, Cabinet Gallery, London, 10 October–17 November, 2012 and the Frieze Art Fair, London, 11–14 October, 2012. The format of the book is consistent with the open ended series which the artist initiated in 1986.