Produced on the occasion of the exhibition Until Due Time, Everything Is Else by Pan Daijing. It is the sixth entry in a series of compact volumes featuring visual contributions, correspondence, responses, and conversations accompanying the Grazer Kunstverein exhibition program.

The images within this book are excerpts from a video created by Pan Daijing. This publication is intended to act as a sixth screen, aligning with a five-channel video installation on display in the exhibition at Grazer Kunstverein.

Edited by Tom Engels. Designed by Julie Peeters.

The Weight of the Concrete explores the legacy of the Turinese artist and publisher Ezio Gribaudo (1929–2022), examining his multifaceted oeuvre at the confluence of image and language. This publication, named after I Peso del Concreto (1968)—a seminal work that featured Gribaudo’s early graphic creations alongside an anthology of concrete poetry edited by the poet Adriano Spatola (1941–88) places Gribaudo’s work in conversation with approximately forty artists and poets from different generations, all of whom similarly engage with explorations of text, form, and visual expression.

With contributions from Anni Albers, Mirella Bentivoglio, Tomaso Binga, Irma Blank, Al Cartio, Paula Claire, CAConrad, Natalie Czech, Betty Danon, Constance DeJong, Mirtha Dermisache, Johanna Drucker, Bryana Fritz, Ilse Garnier, Liliane Giraudon, Susan Howe, Alison Knowles, Katalin Ladik, Liliane Lin, Hanne Lippard, Sara Magenheimer, Françoise Maircy, Nadia Marcus, Giulia Niccolai, Alice Notley, Ewa Partum, sadé powell, N. H. Pritchard, Cia Rinne, Neide Dias de Sá, Giovanna Sandri, Mary Ellen Solt, Alice Theobald, Colleen Thibaudeau, Patrizia Vicinelli, Pascal Vonlanthen, Hannah Weiner and Ruth Wolf-Rehfeldt.

Edited by Tom Engels and Lilou Vidal. Produced on the occasion of the exhibition Ezio Gribaudo: The Weight of the Concrete, held at Grazer Kunstverein, Graz, 18 September, 2023–2 February, 2024, and Museion-Museum of Modern and Contemporary Art in Bolzano-Bozen, 23 March–1 September, 2024.

Produced on the occasion of the exhibition Josef Dabernig: Proposal for a New Kunsthaus, not further developed at the Grazer Kunstverein, Graz, 4 June–11 June, 2004.

This publication coincides with the exhibition Lacrimosa by Josef Dabernig. It is the ninth in a series of compact volumes featuring visual contributions, correspondence, and conversations that accompany the exhibition program of the Grazer Kunstverein. The publication includes an essay by Krzysztof Kosciuczuk and a visual essay by Dabernig, featuring photographs taken on the film set of Lacrimosa (2024). Edited by Tom Engels. Designed by Julie Peeters.

Produced on the occasion of the exhibition Ronald Jones: 1987–1992, at the Grazer Kunstverein, 27 September–23 November 2014, curated by Jason Dodge and Krist Gruijthuijsen. With texts by Ronald Jones, Peter Halley and Angie Keefer.

This publication accompanies Eyes, an exhibition presented in public space, featuring seven billboards across the city of Graz, each displaying compositions of eye makeup by Inge Grognard, photographed by Grognard herself backstage during the preparation of runway preparations and fashion shoots.

Inge Grognard is a pioneering Belgian makeup artist whose work has shaped avant-garde fashion for decades. As a teenager, she befriended Martin Margiela, an encounter that shaped both their creative paths, leading to a two-decade collaboration that helped define the raw, deconstructed aesthetic of Maison Martin Margiela. In the mid-1980s, Grognard became an integral force within the Antwerp Six, working closely with Dries Van Noten, Ann Demeulemeester, Walter Van Beirendonck, Dirk Bikkembergs, Dirk Van Saene, and Marina Yee.

Designed by Julie Peeters.