Susan Howe
Published by Yale Union, Portland, 2013, unpaginated, 21.5 × 27.8 cm, English
Price: €55

Printed and bound in an edition of 500 by Aaron Flint Jamison and Emily Johnson at Yale Union on the occasion of TOM TIT TOT, October 5-December 6, 2013, curated by Andrea Anderson and Robert Snowden. Typeset in Times New Roman by Susan Howe. Cover typeset in Caslon by Emily Johnson and Scott Ponik.

Apart from her poetry, Susan Howe is the author of two landmark books of literary criticism, My Emily Dickinson and The Birth-mark: Unsettling the Wilderness in American Literary History, and three records with David Grubbs.

#2013 #aaronflintjamison #poetry #robertsnowden #scottponik #susanhowe #yaleunion
Women in Concrete Poetry: 1959–1979
Published by Primary Information, New York, 2020, 480 pages (colour & b/w ill.), 20.3 × 22.7 cm, English
Price: €29 (Out of stock)

Women in Concrete Poetry: 1959–1979 is an expansive anthology focused on concrete poetry written by women in the groundbreaking movement’s early history. It features 50 writers and artists from Europe, Japan, Latin America, and the United States selected by editors Alex Balgiu and Mónica de la Torre.

The works in this volume evolved from previous manifestations of concrete poetry as defined in foundational manifestos by Öyvind Fahlström, Eugen Gomringer, and the Brazilian Noigandres Group. While some works are easily recognized as concrete poetry, as documented in canonical anthologies edited by Mary Ellen Solt and Emmett Williams in the late ’60s, it also features expansive, serial works that are overtly feminist and often trouble legibility.

Artists and writers include; Ana Bella Geiger, Mira Schendel, Mirella Bentivoglio, Tomaso Binga, Ilse Garnier, Mirtha Dermisache, Mary Ellen Solt, Susan Howe, Liliane Lijn, Hannah Weiner, Irma Blank, Ruth Wolf-Rehfeldt, Chima Sunada, Katalin Ladik amongst others. Designed by Scott Ponik.

#2020 #anabellageiger #concretepoetry #hannahweiner #irmablank #katalinladik #maryellensolt #miraschendel #mirthadermisache #primaryinformation #ruthwolfrehfeldt #scottponik #susanhowe #tomasobinga
Stray: A Graphic Tone
Shannon Ebner, Susan Howe, Nathaniel Mackey
Published by Roma Publications, Amsterdam & Fonograf Editions, Portland, 2019, Vinyl record in gatefold sleeve (colour & b/w ill.), 31 × 31 cm, English
Price: €18 (Out of stock)

This fourteen-track LP features poems of American poets Susan Howe (b. 1937) and Nathaniel Mackey (b. 1947) as produced by visual artist Shannon Ebner. Juxtaposing historic and recent material from 1991 until 2018, the work brought together here examines the two writer’s lifelong preoccupation with subjects adrift in narratives of dispossession both real and imagined. Liner notes contain excerpts of original interviews as well as reproductions of the poets’ published materials. According to Ebner, “STRAY: A GRAPHIC TONE is the full-length version of what I started in 2016 when I began seeking exchanges with these two poets. I was drawn to their works for their experiments with poetic form – for their politics of poetic form, to be exact – for their poems’ stray figures and stray errant marks.” It was recorded at various locales between 1991 and 2018. The album was edited and produced by Shannon Ebner and mastered and engineered by Joseph Stewart. Designed by Julia Born and Shannon Ebner.

#2019 #juliaborn #nathanielmackey #romapublications #shannonebner #susanhowe