Produced on the occasion of the exhibition R. H. Quaytman: Modern Subjects, Chapter Zero at Wiels, Brussels, 10 September, 2021–30 January, 2022, which explored Brussels’ artistic history and, more specifically, the relationship to power of some of the artists with whom the artist shares an affinity, such as Magritte and Broodthaers. In preparatory research, Quaytman came across the painter Antoine Wiertz and his personal museum, which is now nestled in the heart of the European Quarter. With its unique and spectacular hanging, this museum bears witness to the golden age of monumental painting, which was in the throes of decline in the face of photography and film. Wiertz sought to compensate for this waning with an overabundance of moralising subjects condemning injustice and inequality. He depicted chilling scenes of poverty, war, suicide, or cholera.

Designed by Goda Budvytytė.

Paper Exhibition is an anthology of writings by curator and writer Raimundas Malašauskas published in collaboration with Kunstverein Publishing, Sternberg Press, Sandberg Institute, and The Baltic Notebooks by Anthony Blunt.

The publication includes texts selected and edited by Aurimė Aleksandravičiūtė & Jonas Žakaitis, Tyler Coburn, Audrey Cottin, Krist Gruijthuijsen, Sofía Hernández Chong Cuy, Virginija Januškevičiūtė, Angie Keefer, Kevin Killian, Maxine Kopsa, John Menick, Vivian Rehberg, Sarah Rifky, Aaron Schuster, Vivian Ziherl, and Tirdad Zolghadr; and features contributions by Judith Braun, François Bucher, Chris Fitzpatrick & Post Brothers, Darius Mikšys, Dexter Sinister, and Lucy E. Smith.

Edited by Tom Engels, Yana Foqué & Krist Gruijthuijsen, preface by Maxine Kopsa.

SUZON—both a reprint of Raimundas Malašauskas sold-out book Paper Exhibition from 2012 and a new collection of writings by the author that have happened since—offers a window onto Malašauskas’ worldview, based on collective improvisation, congregation and continuous drift. It includes essays, exhibition guides, personal letters, song lyrics, an opening speech and a cocktail recipe offering a glimpse of what perhaps in a few years we will look back upon as L’esprit du temps.

Artist’s book published on the occasion of Gintaras Didžiapetris’ solo exhibition at the Contemporary Art Centre, Vilnius 5 April–19 May, 2013, as well as different versions of the exhibition which were on view at Objectif Exhibitions in Antwerp, and Villa Croce Museum of Contemporary Art in Genoa. Designed by Goda Budvytytė.