A promotional poster published by Art Metropole for Ian Hamilton Finlay’s Bicentennial Proposal: The French War: The War of the Letter curated by Peter Day and was exhibited at Art Metropole between 23 September–21 October, 1989.

The sheet music depicted is composed by Peter Davidson entitled Two Flutes for St. Just. and subtitled Music for the opening of Ian Hamilton Finlay’s Bicentenary Celebrations.

Produced on the occasion of the exhibition I’M NOT A NICE GIRL! Eleanor Antin, Lee Lozano, Adrian Piper, Mierle Laderman Ukeles at K21 Düsseldorf.

The point of departure for the exhibition is a series of documents that have rarely or never been shown before— letters, concepts, and photographs from the Archive Dorothee and Konrad Fischer which chronicle contacts between the internationally influential gallerist Konrad Fischer and Lucy R. Lippard, as well as women Conceptual artists from the late 1960s and early 1970s such as Eleanor Antin, Hanne Darboven, Agnes Denes, Adrian Piper, Lee Lozano, Charlotte Posenenske, and Alina Szapocznikow.

Exhibition pamphlet produced on the occasion of Fiona Abicare’s exhibition Rose Moon at West Space, Melbourne, 2019.

Abicare works across sculpture and site to explore diverse material histories. Influenced broadly by modernism and its interaction with art, design, architecture, film and fashion, her work absorbs and reflects cultural histories, personal memories and other embedded associations. Rose Moon explores the origins of the interior design style Shabby Chic in relation to art history and feminine aesthetics. Taking shape as a series of site-specific sculptures, Rose Moon considers the practice of the female home decorator as sculptor, painter and craft practitioner.

Invitation produced on the occasion of the first instalment of the exhibition Who’s Werner? at Contemporary Art Centre (CAC), Vilnius, 6 September–3 November, 2019. Who’s Werner? was a spacial conversation constructed by Yana Foqué that explores artistic practices that have become intertwined and focuses on the role of a figure whose work is commonly kept a public secret. It looks into some mutualistic relationships between artists in various disciplines and their assistants; producers; sometimes lovers.

Including the work for and by Céline Condorelli, Denise Scott Brown, Elle Burchill, Ian Hamilton Finlay, Raoul De Keyser, James Langdon, John Baldessari, Jonas Mekas, Lucy Skaer, Margot Sandeman, Norman Laich, Paul Robbrecht, Robert Venturi, Simon Harlow, Benjamin Roth, Laura Kaminskaitė.

Designed by Nerijus Rimkus.

More information on the exhibition can be found here.

Exhibition pamphlet produced on the occasion of the exhibition Who’s Werner? at Kunstverein Amsterdam, 23 November–21 December, 2019. Curated by Yana Foqué, Who’s Werner? is a spacial conversation that explores artistic practices that have become intertwined and focuses on the role of a figure whose work is commonly kept a public secret. It looks into some mutualistic relationships between artists in various disciplines and their assistants; producers; sometimes lovers.

Including the work of Céline Condorelli, Denise Scott Brown, Elle Burchill, Ian Hamilton Finlay, Raoul De Keyser, James Langdon, John Baldessari, Jonas Mekas, Lucy Skaer, Margot Sandeman, Norman Laich, Paul Robbrecht, Robert Venturi, Simon Harlow, Jan-Philipp Hopf, Laura Kaminskaitė.

Designed by Marc Hollenstein.

Poster/invitation produced on the occasion of exhibition Roma Publications, 1998–2007, 7–24 November, 2007 at The Narrows, Melbourne.

Roma Publications is an Amsterdam based art publisher, founded in 1998 by graphic designer Roger Willems, and artists Mark Manders and Marc Nagtzaam. It is used as a platform to produce and distribute autonomous publications made in close collaboration with a growing number of artists, institutions, writers and designers. Related to the content, every issue has its own rule of appearance and distribution, varying from house to house papers to exclusive books.