Produced on the occasion of the exhibition Otto Meyer-Amden: Vorbereitung at Galerie Buchholz, New York, 26 September–2 November, 2019.

Otto Meyer-Amden (1885–1933) was a Swiss painter and graphic artist renowned for his devotional works that explore themes of human affection, meditation, and spiritual inner movement through a blend of figuration and geometric abstraction.

In 1912, after studies Zurich, Munich and Stuttgart, he relocated to the village of Amden in eastern Switzerland—later incorporating it into his surname—and spent much of his career there until 1928, producing drawings and paintings in media such as pencil, chalk, Indian ink, watercolour, and oil that emphasise connective density, simplicity, and truth derived from spiritual necessity.

Produced on the occasion of the exhibition Nationalgalerie Berlin, 5 December, 1970–1 February, 1971; Neuer Berliner Kunstverein e.V., 21 February–21 March, 1971; Kasseler Kunstverein, Kunsthalle Bremen, 11 April–23 May, 1971.

Otto Meyer-Amden (1885–1933) was a Swiss painter and graphic artist renowned for his devotional works that explore themes of human affection, meditation, and spiritual inner movement through a blend of figuration and geometric abstraction.

In 1912, after studies Zurich, Munich and Stuttgart, he relocated to the village of Amden in eastern Switzerland—later incorporating it into his surname—and spent much of his career there until 1928, producing drawings and paintings in media such as pencil, chalk, Indian ink, watercolour, and oil that emphasise connective density, simplicity, and truth derived from spiritual necessity.

*Please note this publication is secondhand and may have some traces of previous ownership.

Otto Meyer-Amden (1885–1933) was a Swiss painter and graphic artist renowned for his devotional works that explore themes of human affection, meditation, and spiritual inner movement through a blend of figuration and geometric abstraction.

In 1912, after studies Zurich, Munich and Stuttgart, he relocated to the village of Amden in eastern Switzerland—later incorporating it into his surname—and spent much of his career there until 1928, producing drawings and paintings in media such as pencil, chalk, Indian ink, watercolour, and oil that emphasise connective density, simplicity, and truth derived from spiritual necessity.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced over the course of little more than a decade, Lee Lozano’s art is striking for its breadth and vigour. As well as paintings characterized by energy, daring physicality, and tireless investigation of the body and gender, Lozano’s oeuvre also includes conceptual works and drawings, the latter of which are the focus of this publication. A selection of the artist’s early narrative and figurative drawings from 1960 to 1964—all of which were previously unpublished—are presented alongside texts by Barry Rosen and Jaap van Liere, as well as extracts from the artist’s own diaries that capture the wit, intelligence, and anger that animated her brief yet profoundly influential career.

Hand-drawn artist’s book by Rotterdam-based artist Ilke Gers. Originally from Aotearoa New Zealand, Gers works with text, drawing, and publishing to explore the connections between the body, movement, and language.

A document of Ilke Gers’s work Index (2024–25). Produced on the occasion of the group exhibition Bold and Gritty at Stedelik Museum Schiedam, curated by Linda van der Vleuten and Bruce Tsar-Meu-Chong, 24 May–9 November, 2025. Edition of 200.