Produced on the occasion of the exhibition Nationalgalerie Berlin, 5 December, 1970–1 February, 1971; Neuer Berliner Kunstverein e.V., 21 February–21 March, 1971; Kasseler Kunstverein, Kunsthalle Bremen, 11 April–23 May, 1971.

Otto Meyer-Amden (1885–1933) was a Swiss painter and graphic artist renowned for his devotional works that explore themes of human affection, meditation, and spiritual inner movement through a blend of figuration and geometric abstraction.

In 1912, after studies Zurich, Munich and Stuttgart, he relocated to the village of Amden in eastern Switzerland—later incorporating it into his surname—and spent much of his career there until 1928, producing drawings and paintings in media such as pencil, chalk, Indian ink, watercolour, and oil that emphasise connective density, simplicity, and truth derived from spiritual necessity.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition at the Stedelijk Museum, Amsterdam, 17 April – 6 June 1971. With texts from Ad Petersen, Marja Bloem and Daniel Spoerri. Designed by Wim Crouwel & Jolijn van de Wouw.

*Please note this publication is secondhand and has some traces of previous ownership.

Second catalogue published by Seth Siegelaub’s International General book publishing and distribution project. In 1970, Siegelaub founded the company in an effort to streamline the dissemination of his self published exhibition catalogues as well as celebrated books & catalogues by Lippard, Ruscha, Weiner, Barry, Kosuth, and Dibbets.

*Please note this publication is secondhand and has some traces of previous ownership.

Yves Klein was a French artist and an important figure in post-war European art. He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein was a pioneer in the development of performance art, and is seen as an inspiration to and as a forerunner of minimal art, as well as pop art.

*Please note this publication is secondhand and has some traces of previous ownership.

Jochen Gerz is a German conceptual artist who lived in France from 1966 to 2007. His work involves the relationship between art and life, history and memory, and deals with concepts such as culture, society, public space, participation and public authorship. After beginning his career in the literary field, Gerz has in the meantime explored various artistic disciplines and diverse media.

Dutch translation of Rosa Luxemburg’s The Mass Strike, the Political Party and the Trade Unions originally printed in 1906. With cover artwork by Gerd Arntz.