Otto Meyer-Amden (1885–1933) was a Swiss painter and graphic artist renowned for his devotional works that explore themes of human affection, meditation, and spiritual inner movement through a blend of figuration and geometric abstraction.

In 1912, after studies Zurich, Munich and Stuttgart, he relocated to the village of Amden in eastern Switzerland—later incorporating it into his surname—and spent much of his career there until 1928, producing drawings and paintings in media such as pencil, chalk, Indian ink, watercolour, and oil that emphasise connective density, simplicity, and truth derived from spiritual necessity.

*Please note this publication is secondhand and may have some traces of previous ownership.

Artist, novelist and philosopher Pierre Klossowski’s 1970 essay La Monnaie vivante (Living Currency), first published in France in an edition with erotic photographs made in collaboration with Pierre Zucca.

*Please note this publication is secondhand and may have some traces of previous ownership.

Artist, novelist and philosopher Pierre Klossowski’s 1970 essay La Monnaie vivante (Living Currency), first published in France in an edition with erotic photographs made in collaboration with Pierre Zucca.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Wolf Vostell’s exhibition Elektronisch at the Neue Galerie-Sammlung Ludwig, Aachen, 15 October-27 November, 1970.

*Please note this publication is secondhand and has some traces of previous ownership.

Exhibition invitation produced on the occasion of Domenico Gnoli’s exhibition at Galerie Schmela, Düsseldorf, 14 February–9 March, 1970.

Produced on the occasion of the exhibition Piero Manzoni at the Stedelijk Museum, Amsterdam, 13 March–26 April, 1970.

SM Cat. No 474.

Designed by Wim Crouwel.

*Please note this publication is secondhand and has some traces of previous ownership.