For more than twenty years, Jean-Luc Moulène has developed a complex body of work, both analytical and mysterious. Moulène’s works explore the question of representation in his chosen media, while at the same time drawing on their essential physicality and materiality to engage tirelessly with political, social and ontological issues ‘made flesh’—notably through the concept of ‘transaction’.

This monograph spans forty years of drawings and works on paper, offering an insight into a lesser-known part of Moulène’s artistic practice. A jubilant documentation rich with autobiographical elements.

Nightcleaners (1975) by the Berwick Street Film Collective has long been recognised as a landmark of British experimental film and political cinema. Together with its companion film ’36 to ’77 (1978), it pioneered a film form as radical as the Collective’s politics. The films chronicle one of the key campaigns of the women’s movement in the 1970s. The campaign to unionise women night cleaners in London anticipates contemporary issues regarding precarious labour. To celebrate the first digital release of the films, a special box set has been produced containing the two films on disc, reproductions of historical material, including news sheets of the women’s movement – one designed by Mary Kelly, a member of the Film Collective, an interview with whom is also included as well as rare illustrations and contributions from the filmmakers.

Designed by John Morgan studio.

Produced on the occasion of the exhibition, Jochen Lempert at CA2M Centro de Arte Dos de Mayo, Madrid, 1 June–23 September 2018.

The work of Jochen Lempert portrays the animal world in the most varied contexts: ranging from the natural habitat to Natural History museums, from the zoo to the city, in remote locations or in banal situations and objects.

In his tireless quest, Lempert has managed to create a vast archive of images that covers a wide spectrum spanning everything from everyday views to compositions that tend more towards abstraction.

A new volume of aphoristic prose and philosophical poetry from Etel Adnan, whose work The New York Times recently described as the “meditative heir to Nietzsche’s aphorisms, Rilke’s Book of Hours and the verses of Sufi mysticism.” She writes: “Reality is messianic / apocalyptic / my soul is my terror.”

Produced on the occasion of Christodoulos Panayiotou’s exhibition at galerie Kamel Mennour, Paris, 15 October–24 November, 2018.

This catalogue focuses on a series of paintings made of discarded euro banknotes. These imposing fields of colour produced by the synthesis of the original banknotes are part of a greater investigation that seeks to remobilise devalued material.

With a foreword by Jean Capeille.

Revue Faire is a bi-monthly magazine dedicated to graphic design, published from October to June, distributed each two months in the form of anthologies of three or four issues. Created by Empire, Syndicat studio’s publishing house. Each publication documents a specific object, addressed by a renowned author, this edition focuses on the invitation cards by the artist stanley brouwn.