Produced on the occasion of the exhibition Fausto Melotti at Aichi Prefectural Museum of Art, Nagoya, April 23 – June 13, 1999.

“Italian sculptor, painter and poet, Fausto Melotti is considered a pioneer of Italian art and is acknowledged for his unique contribution to the development of mid-century European Modernism. Coming of age in prewar Milan, and living through the horrors of the Second World War, Melotti metabolized wartime devastation in his work by returning to Renaissance principles of harmony, order, geometry, and musical structure, which he integrated into a highly personal yet universally accessible artistic language that expresses the full range of emotional experiences in modern human existence.”—Hauser & Wirth

*Please note this publication is secondhand and has some traces of previous ownership.

“Italian sculptor, painter and poet, Fausto Melotti is considered a pioneer of Italian art and is acknowledged for his unique contribution to the development of mid-century European Modernism. Coming of age in prewar Milan, and living through the horrors of the Second World War, Melotti metabolized wartime devastation in his work by returning to Renaissance principles of harmony, order, geometry, and musical structure, which he integrated into a highly personal yet universally accessible artistic language that expresses the full range of emotional experiences in modern human existence.”—Hauser & Wirth

Produced on the occasion of three exhibitions by Michael Krebber Respekt Frischlinge at Galerie Daniel Buchholz, Je suis la chaise at Galerie Chantal Crousel & London Condom at Maureen Paley.

Designed by Michael Krebber and Yvonne Quirmbach.

Produced on the occasion of the exhibition Patricia L. Boyd: Ceiling Analysis at Secession Vienna, 18 November, 2022 – 15 February, 2023.

Borrowing its format from fabric sample books, Ceiling Blues contains photographed fragments of frottages, silkscreen prints, and casts—tests, made in preparation for her exhibition, reproduced in 1:1 scale. “The samples here are not single samples of what can exist in quantity, as with samples from a roll of fabric that has a pattern that repeats. They are single samples from what is singular. They are excerpts of draft versions of a potential work that remains unfound.”—Patricia L. Boyd

Produced on the occasion of Josef Dabernig’s exhibition at Secession, Vienna, 30 September–31 November, 1992. With texts from Josef Dabernig, Christian Kravagna and Adolf Krischanitz.

*Please note this publication is secondhand and has some traces of previous ownership.

This comprehensive catalogue documents the installation of Isa Genzken’s eponymous exhibition at Neue Nationalgalerie Berlin, 13 July–27 November, 2023. Alongside many photographs, the catalogue assembles texts by Dieter Schwarz, Sabine Breitwieser, Manfred Hermes, Tom McDonough, Juliane Rebentisch, Isa Genzken, conversations with Isa Genzken and Wolfgang Tillmans, and Isa Genzken and Diedrich Diederichsen, a preface by Klaus Biesenbach and Lisa Botti, and a new essay by Diedrich Diederichsen. Designed by Julie Peeters, edited by Daniel Buchholz and Christopher Müller.