Produced on the occasion of the exhibition Henrik Olesen: Food chain incl. prehistoric animals at Den Frie Udstillingsbygning, Copenhagen, 22 February–20 April, 2025. More information on the exhibition can be found here.
Produced on the occasion of the exhibition Henrik Olesen: Food chain incl. prehistoric animals at Den Frie Udstillingsbygning, Copenhagen, 22 February–20 April, 2025. More information on the exhibition can be found here.
To make art is to understand how you are, to notice your prejudices and assumptions about value, to acknowledge your hand in an unequal world, and to recognise how you institute yourself – all while letting go of the outcome of work. Bosses replaces strategies of high performance with acts of trust. It is a book about doubt, about maintaining that condition and its untenable faith. About becoming a parent. Where individualism dissolves into dependence, ‘like when you get into a bath that’s the same temperature as your body, or when the summer comes and the wind touches your skin’.
Produced on the occasion of Eduardo Paolozzi’s exhibition at the Stedelijk Museum, Amsterdam, 25 May–30 June, 1968. Eduardo Paolozzi was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of pop art.
Designed by Wim Crouwel. SM Cat no. 442.
*Please note this publication is secondhand and may have some traces of previous ownership.
Produced on the occasion of Overzicht Nederlandse Visuele Communicatie ’68, an annual overview of the state of visual communication in the Netherlands held from 26 September–26 October, 1969. Designed by Wim Crouwel.
*Please note this publication is secondhand and may have some traces of previous ownership.
Produced on the occasion of the exhibition Vormgevers at the Stedelijk Museum, Amsterdam from 5 April–23 June, 1968. A survey exhibition of industrial design from the time including Piet Zwart, Ettore Sottsass, Joe Colombo, Dieter Rams, AD Copier. Designed by Wim Crouwel and Alice Bailly.
Produced on the occasion of the exhibition Yayoi Kusama New York/Tokyo held at the Museum of Contemporary Art Tokyo in 1999. This two-volume collection (Love Forever Yayoi Kusama 1958-1968 & In Full Bloom Yayoi Kusama Years in Japan) contains paintings, photo collages, and sculptures created in both New York and Tokyo over the artist’s career.
*Please note this publication is secondhand and has some traces of previous ownership.