The dialogue-driven “Divertimento,” Roberte et Gulliver, features the character of Roberte, delivering her, under the watchful eyes of the schoolboys, to Gulliver’s schemes. The letter to Michel Butor that follows goes beyond a simple discussion about books and writing. Through its reflection on the “simulacrum,” it helps us understand the mysterious link that unites writing and drawing in Klossowski’s work.

*Please note this publication is secondhand and may have some traces of previous ownership.

One of fifteen contributions from the postcard portfolio 15 CARTES POSTALE published by Guy Schraenen.

Henri Chopin was a little-known but significant figure of the French and British concrete poetry and lettrist movements. A curator, editor, musician and poet, he worked in a variety of materials, although his most notable works take the form of typewriter poems, each unique and influenced by the artist’s preoccupation with ideas of order and disorder; a result of his wartime experiences.

*Please note this publication is secondhand and may have some traces of previous ownership.

One of fifteen contributions from the postcard portfolio 15 CARTES POSTALE published by Guy Schraenen.

Brion Gysin was a British/Canadian painter, writer, sound poet, performance artist and inventor of experimental devices. He is best known for his use of the cut-up technique, alongside his close friend, the novelist William S. Burroughs. With the engineer Ian Sommerville he also invented the Dreamachine, a flicker device designed as an art object to be viewed with the eyes closed.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Peter Hutchinson, Works 1964 – 1974 at the Stedelijk Museum, Amsterdam, 25 October–1 December, 1974.

*Please note this publication is secondhand and has some traces of previous ownership.

*Please note this publication is secondhand and has some traces of previous ownership.

“Inspired by logogriphs, riddle games consisting of forming a variety of words through combination and permutation of the letters of an initial word, Ezio Gribaudo’s Logogrifi belong to an equivocal, non-verbal realm, short-circuiting the image in its historical linearity. A repertoire of mnemonic white forms, sometimes textual, sometimes figurative, or topographic (even orographic), reveal the memory and the gravity of an enigmatic world.” From the press release of Ezio Gribaudo, Dizionario delle forme at Sans titre, Paris, France, 2016.

*Please note this publication is secondhand and has some traces of previous ownership.