Permanent Recession: a Handbook on Art, Labour and Circumstance is an enquiry into the capitals and currencies of experimental, radical and artist-run initiatives in Australia.

Excavating a shared history of independent practice stretching back to the 1980s, this publication situates new research within a rich continuum of debate about the Australian artmaking context.

Part research, part advocacy document, part literature review, part reader, part position paper, Permanent Recession is a living contribution to current thought. As a handbook, it is a compilation of useful information in a compact and handy form.

Designed by Paul Mylecharane and Kim Mumm Hansen of Public Office.

Worms is a bi-annual literary style magazine that celebrates female writer culture.

This inaugural issue, offers a fresh perspective on the accessibility of literature, writers and style. Features Chris Kraus and Ariana Reines about online writing, an exploration into Kathy Acker’s books and influence on contemporary culture, interviews with young upcoming authors and more.

Artist and writer Ghislaine Leung, lives and works in London and Brussels. Recent solo projects include; CONSTITUTION, Kunstlerhaus Stuttgart, Stuttgart, Germany & Chisenhale, London, UK, Violets 3, Netwerk, Aalst, Belgium, ESSEX STREET, New York, New York and group projects; The Making of Husbands, KW Institute for Contemporary Art, Berlin, Germany, I, I, I, I, I, I, I, Kathy Acker, Institute for Contemporary Art, London, UK Contains texts such as 'Approximations', 'Complicity, Fetish, Agency', 'OUT', 'In Extrinsics', '29042017' amongst others.

Published on the occasion of the exhibition, Paul Thek I AM, AM I?, 6 September–26 October, 2019 at Jan Mot, Brussels.

“Jan Mot presents a solo exhibition of Paul Thek (1933–1988), an American sculptor, painter, and installation artist who was influential in the New York art scene in the 1960s and moved between various European cities in the 1970s, spending quite some time in the Netherlands, where he had a solo exhibition at the Stedelijk Museum in 1969. His work was also part of the exhibition Chambre d’amis in 1986 in Ghent. The show at Jan Mot will be the first solo show in Belgium and will include a lesser known series of etchings and a newspaper drawing. The etchings and drawings punctuate a profoundly disparate practice and suggest a continued engagement with recurrent themes such as the Tower of Babel, Tarbaby, horns, etc. His work, often marked by fragile or ephemeral materials with regard to the personal, mystic, and spiritual, have been a source of widespread influence to other artists.”—Mousse Magazine

Mode and Mode is a periodical that addresses printed matter in fashion practice. Each issue explores experimental publishing in fashion with an interview around a print-based project at the margins—one that has critical effects to fashion as a discourse—with the aim to level alternative, lesser-known fashion practices with contemporary fashion discourse.

Mode and Mode seven presents an anthology of text works and biographical listings of key D&K (Ricarda Bigolin and Nella Themelios) projects from 2012 to present as a companion publication to D&K LOOK BOOK 2019 which can be found here.

Wimper is 81 found eyelashes scanned directly on to the drum of a risograph printer and printed, one per spread, to irritate the context of what is supposed to be an exhibition catalogue published to accompany the exhibition Faltering, light under two screw holes… at SE8 Gallery, London.

Texts by Nicolas de Oliveira and Nicola Oxley, and David Price. Graphic design by studio Hendriksen, risograph printed by Alex Farrar in studio Hendriksen, Amsterdam, with the cover offset printed by ZwaanLenoirSchuring and bound by AGIA (The Netherlands) in a print run of 300 copies.