Produced on the occasion of the group exhibition Love is Colder than Capital at The Kunsthaus Bregenz, 2 February–14 April, 2013, which brought together 16 artists who explore the interrelationships of economics and feelings in contemporary society.

Curated by Yilmaz Dzierwior and including artists Neil Beloufa, Minerva Cuevas, Mariechen Danz, Isa Genzken, Hans Haacke, Keith Haring, Teresa Margolles, Ken Okiishi, Julika Rudelius, Yorgos Sapountzis, Cindy Sherman, Andreas Siekmann, Dirk Stewen, Pascale Marthine Tayou, Rosemarie Trockel, Cathy Wilkes.

The concept of transcorporeality (Stacy Alaimo) builds on the thesis that all bodies are permeable, open-ended systems in constant exchange with their environment and other biological, technological, economic, and sociopolitical realities. With works by Jesse Darling, Flaka Haliti, Trajal Harrell, Paul Maheke, Nick Mauss, Park McArthur, Oscar Murillo, and Sondra Perry, Transcorporealities critically examines the permeability of bodies-including the museum-at the interfaces between subject, object, and space. It focuses on urgent (institutional) questions of visibility and accessibility as well as the possibilities and limits of representation: What is inscribed and attributed to bodies? Who is looking at whom? What is meant when we say “we” and “they”?

With texts from Stacy Alaimo, Yilmaz Dziewior, Park McArthur, Leonie Radine & Nora Sternfeld.

Diego Rivera (8 December, 1886–24 November, 1957), was a prominent Mexican painter. His large frescoes helped establish the mural movement in Mexican and international art. He was involved in the world of politics as a dedicated Marxist and joined the Mexican Communist Party in 1922. He hosted Russian exile Leon Trotsky and his wife at his home in Mexico City in the 1930s.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Daniel Spoerri at the Stedelijk Museum, Amsterdam, 17 April–6 June, 1971.

SM Cat. No 502b.

Designed by Wim Crouwel and Jolijn van de Wouw.

*Please note this publication is secondhand and has some traces of previous ownership.

Micha Zweifel is an artist who works with what he finds in his surroundings: materials, concepts, and motifs—the flotsam of cultural remnants whose use, identity, or meaning have become unstable, but still shape where and how we live. Ringgummimatte is a montage of such “finds,” showing Zweifel’s work alongside photos and conversations from recent years. It features texts by artist and writer Sabrina Chou, journalist Michel Rebosura, writer and art historian Vivian Sky Rehberg, poet Lisa Robertson, curator Eveline Suter, as well as an email exchange between Christoph Zweifel and the artist. Writer and editor Matthew Stadler has captioned each image in the book with a quote from Zweifel’s library, forming a composition of what is adjacent to Zweifel’s work, like footsteps in a neighbors apartment.

Ringgummimatte is designed by Studio Krispin Heé (Krispin Heé, Tim Wetter) and published on the occasion of Micha Zweifel’s ongoing exhibition Zur Sackgasse 4. Stock (5 December, 2020–27 June, 2021) at Kunstmuseum Luzern and the Manor Kunstpreis Zentralschweiz Luzern 2020.

“The films of Nathaniel Dorsky blend a beauteous celebration of the sensual world with a deep sense of introspection and solitude. They are occasions for reflection and meditation, on light, landscape, time and the motions of consciousness. Their luminous photography emphasizes the elemental frisson between solidity and luminosity, between spirit and matter, while his uniquely developed montage permits a fluid and flowing experience of time. Dorsky’s films reveal the mystery behind everyday existence, providing intimations of eternity.”—Steve Polta, San Francisco Cinematheque.

In Devotional Cinema, Dorsky moves through meditations on image-moments in works by key filmmakers (Carl Theodor Dreyer, Yasujiro Ozu, Michelangelo Antonioni, and Roberto Rossellini), and arrives at the heart of what constitutes a devotional practice.