Produced on the occasion of the exhibition Marc Camille Chaimowicz: Zig Zag and Many Ribbons… at MAMC Saint-Etienne in 2022–2023, this reference monograph revisits the conceptual and sensorial developments pursued by the artist since the 1970s.

Includes a ribbon drawn by the artist as an inserted bookmark. Edited by Marc Camille Chaimowicz and Anna Clifford. Text by Marie Canet. Designed by Zak Kyes.

Produced on the occasion of Carolyn Lazard’s exhibition at Kunstverein Braunschweig in 2021. Hintertür points to the mutual embodiment of both the filmmaker and the viewer, animating questions of agency and access concerning phenomenological cinema. In addition, Lazard inverts Kunstverein Braunschweig’s spatial logic by implementing architectural interventions that fundamentally change how audiences navigate the building. In historic buildings, physical barriers to access are normally regulated by Braunschweig’s historic preservation codes. Alternatively, artistic interventions are permitted to make minor changes to historic buildings. For this exhibition, Lazard developed Remise ramp (2021), a ramp connecting two rooms, and Remise signs (2021), an alternative sign system. With texts by Jule Hillgärtner and Nele Kaczmarek.

Produced on the occasion of John Knight’s exhibition at The Renaissance Society, Chicago, 1983. Including an in-depth essay by art historian Anne Rorimer. Her investigation of Museotypes, the particular piece conceived for Knight’s Renaissance Society exhibition, points to its specific implications while her consideration of related earlier pieces further demonstrates the character and development of his work in general.

A PDF of the catalogue can be found here.

Produced on the occasion of the exhibition RINO at Mai 36, Zurich. The exhibition and the catalogue present a collaboration between Manfred Pernice and Martin Städeli and deal with Marino Marini and the Marino Marini Museum in Florence.

Produced on the occasion of the exhibitions at the Schindler House/MAK Center for Art and Architecture, Los Angeles and at our gallery in Berlin. It is designed by Florian Pumhösl and contains images of the installation at Schindler House and documentation of the exhibited works along with an introductory text by MAK curator Bärbel Vischer and a conversation between Vincent Fecteau and Florian Pumhösl.

Invitation for Nora Schultz’s exhibition, Carriers in Search of the Time-Tilted Weight at Isabella Bortolozzi, Berlin, 2 October–2 November, 2007.