Sweet Oblivion
Martin Wong
Published by Rizzoli, New York and The New Museum of Contemporary Art, New York, 1998, 96 pages (colour & b/w ill.), 24.7 × 25.4 cm, English
Price: €78 (Out of stock)

The visionary paintings of Martin Wong, one of the unsung geniuses of New York’s East Village art scene of the 1980s, are collected here and examined in depth for the first time. Entirely self-taught, Wong created intricate compositions that combine gritty social documents, cosmic witticisms, and highly charged symbolic languages-customised manual alphabets for the deaf, street graffiti, Nuyorican poetry, hand-lettered signs, meticulously rendered brick facades, rearrangements of Zodiac signs-sometimes within a single painting.

The urban landscape of Loisaida, the Hispanic section of the Lower East Side where Wong lived, is the source of his imagery. Whatever the theme-the survival of a neighbourhood besieged by drugs and crime, homoerotic fantasies of men in uniform, the multiplicity of meaning in language, the kitsch and ornamentation of Chinatown USA-Wong’s work is visually startling and movingly autobiographical.

#1998 #martinwong #painting
Schule fur Kreativen Feminismus: Beispiel einer autonomen Kulturarbeit
Ulrike Rosenbach
Published by Schule fur Kreativen Feminismus, Köln, 1980, 52 pages (colour & b/w ill.), 21 × 28 cm, German
Price: €32 (Out of stock)

*Please note this publication is secondhand and has some traces of previous ownership.

#1980 #ulrikerosenbach
Columns
Ilke Gers
Published by the artist, Rotterdam, 2022, 16 pages (b/w ill.), 14.6 × 20.7 cm, English
Price: €6

A publication of preliminary drawings for a project at Culuurcentrum Vilvoorde.

#2022 #ilkegers
Glyph
Ilke Gers
Published by the artist, Rotterdam, 2022, 16 pages (b/w ill.), 14.6 × 20.7 cm, English
Price: €6

Produced on the occasion of the exhibition RADIATOR at 019, Ghent, 2 December, 2022–20 March, 2023.

#2020 #ilkegers
Who’s Werner
Published by Contemporary Art Centre (CAC), Vilnius, 2019, exhibition pamphlet, 16 pages (b/w ill.), 17 × 24 cm, English / Lithuanian
Price: €5

Exhibition pamphlet produced on the occasion of the first instalment of the exhibition Who’s Werner? at Contemporary Art Centre (CAC), Vilnius, 6 September – 3 November 2019. Who’s Werner? was a spacial conversation constructed by Yana Foqué that explores artistic practices that have become intertwined and focuses on the role of a figure whose work is commonly kept a public secret. It looks into some mutualistic relationships between artists in various disciplines and their assistants; producers; sometimes lovers.

Including the work for and by Céline Condorelli, Denise Scott Brown, Elle Burchill, Ian Hamilton Finlay, Raoul De Keyser, James Langdon, John Baldessari, Jonas Mekas, Lucy Skaer, Margot Sandeman, Norman Laich, Paul Robbrecht, Robert Venturi, Simon Harlow, Benjamin Roth, Laura Kaminskaitė.

Designed by Nerijus Rimkus.

#2019 #celinecondorelli #ephemera #ianhamiltonfinlay #johnbaldessari #jonasmekas #lucyskaer #nerijusrimkus #raouldekeyser #yanafoque
Autoreduction
Dora Budor
Published by Progetto, Lecce, Mousse Publishing, Milan & Oaza Books, Zagreb, 2022, 112 pages + insert (colour & b/w ill.), 15 × 21 cm, English
Price: €22 (Out of stock)

Autoreduction is a project initiated by Dora Budor at Progetto (Lecce, Italy) in the summer of 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy. Conceived as a companion to the exhibition, the book features commissioned texts by Noah Barker and Marina Vishmidt, with contributions by all the artists originally participating in the exhibition (Noah Barker, Dora Budor, Michèle Graf and Selina Grüter, Niloufar Emamifar, and Ser Serpas), together with an addendum by Stefano Faoro.

#2022 #dorabudor #marinavishmidt #michelegrafandselinagruter #moussepublishing #niloufaremamifar #noahbarker #oazabooks #progetto #serserpas #stefanofaoro