Colouring book produced on the occasion of Kaunaus Art Book Fair, 2021. With contributions from Vytenio Buroko, Dainiaus Liškevičiaus, Aurelijos Maknytės, Beatričės Mockevičiūtės, Roberto Narkaus, Eglės Ridikaitės, Nerijus Rimkus, Ievos Rojūtės, Aurelijos Slapšytės and Anastasios Sosunovos.

Compiled by Justina Zubaitė-Bundzė. Designed by Nerijus Rimkus.

Colouring book produced on the occasion of Kaunaus Art Book Fair, 2024. With contributions from Ona Juciūtė, Mykolas Sauka, Gabija Pernavaitė, Aiste Kisarauskaitė, Augustinas Serapinas, Gediminas Akstinas, Patricia Jurkšaitytė, Rüta Junevičiūtė and Rūtė Merk.

Compiled by Justina Zubaitė-Bundzė. Designed by Nerijus Rimkus.

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavour referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

The book offers an alternative art history in the near-present of automation and disinformation, portraying a Central Eastern Europe populated by speculative cultural producers.
Written in collaboration with a cloud-based typing assistant with “main character syndrome,” the text can also be interpreted as an academic novel about the doctoral research of an overcaffeinated generation with slight attention deficit disorder, or processed as a speculative script for (im)possible collaborations with AI or machine-based personalities to come. It is also an attempt to write a practice-based fine-arts PhD thesis at the Vilnius Academy of Arts.

Designed by Nerijus Rimkus.

Produced to accompany WT Reader: Reader, aantekeningen exemplaar, 2017, edited and designed by Ronja Andersen and Nerijus Rimkus.

Featuring Moses Bruine Cotsworth and the International Fixed Calendar. Cotsworth’s. Cotsworth’s interest in calendar reform began when he was working at a railroad company and found that monthly accounting was greatly complicated by the fact that months did not divide evenly into weeks. He devised what is now known as the International Fixed Calendar, a solar calendar in which each of 13 months has 28 days.

Exhibition pamphlet produced on the occasion of the first instalment of the exhibition Who’s Werner? at Contemporary Art Centre (CAC), Vilnius, 6 September – 3 November 2019. Who’s Werner? was a spacial conversation constructed by Yana Foqué that explores artistic practices that have become intertwined and focuses on the role of a figure whose work is commonly kept a public secret. It looks into some mutualistic relationships between artists in various disciplines and their assistants; producers; sometimes lovers.

Including the work for and by Céline Condorelli, Denise Scott Brown, Elle Burchill, Ian Hamilton Finlay, Raoul De Keyser, James Langdon, John Baldessari, Jonas Mekas, Lucy Skaer, Margot Sandeman, Norman Laich, Paul Robbrecht, Robert Venturi, Simon Harlow, Benjamin Roth, Laura Kaminskaitė.

Designed by Nerijus Rimkus.

”Iʼve gathered so many books (….), all about the family. This is all washing over me like a waterfall. I canʼt figure out the genealogy, the chronology flows like currents that wind around each other at different rates. (…) And now Iʼm recognizing that Iʼm part of this tribe, this family of writers writing about our tribe.”

These sentences can be found in Simone Fortiʼs new publication, The Bear in the Mirror—a wonderful collection of stories, prose-poems, drawings, photos, letters, notes and memories.

Simone Forti dives into the (his)stories of her family and of the woollen mills they once owned, trying to put all the myths and fragments of information into some kind of perspective.

Edited by Roos Gortzak and Quinn Latimer. Designed by Nerijus Rimkus.