Photopaper 25
Daniel Gustav Cramer
Published by Kasseler Fotografie Festival, Kassel, 2017, 14 pages (colour ill.), 21 × 29 cm, English
Price: €5 (Out of stock)
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Photopaper 31
Daniel Gustav Cramer
Published by Kasseler Fotografie Festival, Kassel, 2018, 16 pages (b/w ill.), 21 × 29 cm, English
Price: €5 (Out of stock)
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For Tjikko
Daniel Gustav Cramer
Published by Daniel Gustav Cramer, Berlin, 2017, 6 pages, 12 × 17 cm, English
Price: €25 (Out of stock)

Old Tjikko is a 9,550 year-old Norway Spruce, located on Fulufjället Mountain of Dalarna province in Sweden. Old Tjikko originally gained fame as the “world’s oldest tree”. Leif Kullman (Professor of Physical Geography at Umeå University who discovered Old Tjikko), attributed this growth spurt to global warming and gave the tree its nickname “Old Tjikko” after his late dog.This publication acts as a memorial of sorts to the original Tjikko. Printed in an edition of 25.

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Cold Air
Daniel Gustav Cramer
Published by Daniel Gustav Cramer, Berlin, 2019, 12 pages, 14 × 20 cm, English
Price: €6 (Temporarily out of stock)

Quora is a question-and-answer website where questions are asked, answered, edited, and organized by its community of users in the form of opinions. On March 6, 2012, a question was placed anonymously.. The replies have been listed here in chronological order

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One
Daniel Gustav Cramer
Published by Florence Loewy, Paris, 2019, 12 pages (b/w ill.), 18.5 × 26 cm, English
Price: €15

Riso printed booklet of photos taken near Carrara, edition of 100.

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Plant Volatiles
Jochen Lempert
Published by BQ, Berlin, 2016, 64 pages (b/w ill.), 20.5 × 27.5 cm
Price: €70

Produced on the occasion of Jochen Lempert’s exhibition Plant Volatiles at BQ, Berlin in 2016.

“While factual science will never be able to embrace the enchantments of nature, Lempert’s photographs meet up with them when showing swarms of animals, where individuals dissolve and become part of a new form, or when picturing insects as foreign bodies within a context they do not belong to and the coherence of which they irritate. As frozen ephemeral appearances breaking up not only the formal coherence of the image but also its meaning and representational function, they are symbols of time and of the ever impenetrable secret of all living.”—Mousse magazine review, available here.

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