Produced on the occasion of the exhibition Isa Genzken: Skulpturen, Zeichnungen, Fotografien at Ausstellungshallen Mathildenhöhe Darmstadt, 11 January–8 February, 1981.

*Please note this publication is secondhand and may have some traces of previous ownership.

Published in conjunction with the first comprehensive retrospective of the artist’s epically diverse body of work, this publication encompasses Genzken’s work in all media over the past 40 years and is the most complete monograph on the artist available in English. The catalogue presents Genzken’s career, through essays exploring the unfolding of her practice from 1973 until today, as well as an expansive plate section that provides a chronological overview of all her most important bodies of work and key exhibitions.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Manfred Pernice’s exhibition Trans, at Městské kulturní domy, České Budějovice, 22 June–5 August, 2006. Including the work of Andreas Heller, Anna Zwingl, Heidrun Kocher-Kocher, Klaus Gölz, Lisa Meixner, Markus Hahn, Jun Mizushima, Mona Dornauer, Nadja Athanassowa, Nina Frgic, Noële Ody, Robert Grafschafter, Roman Britschgi, Sabrina Peer, Verena Dengler, Volker Lukas.

*Please note this publication is secondhand and may have some traces of previous ownership.

Artist Kunstmagazin is a quarterly arts journal, founded in 1989. This issue features a focus on Manfred Pernice.

A monograph with a comprehensive timeline, produced on the occasion of Manfred Pernice’s exhibition Que-Sah at The Neues Museum, Nuremberg, 25 April–6 July, 2008.

The exhibition title–Que–Sah–refers to one volume of the Brockhaus encyclopaedia, where alphabetical arrangement gives systematic order to the highly varied lexical contents. For Pernice, “the first entry (Quebec conferences) and the last (Saho, Ethiopian stock farmers), like all the other conceptual phenomena in-between, are potential areas of artistic exploration.”

Designed by Yvonne Quirmbach.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Mire Lee’s exhibition The Heart of My Machine is Golden Lead at Secession, Vienna, 26 June–26 August, 2026.

Mire Lee’s large-scale installations are often composed of leaking mechanisms and quasi-organic structures that appear to drip and decay. Deliberately broken motorised elements seem to strain under their own operation, resisting the seamless efficiency associated with contemporary technological aesthetics. With texts from Haris Giannouras, Gemma Barricarte and Mire Lee. Designed by Sabo Day & Rosen Eveleigh.