Like a pictorial encyclopedia, Das Wunder des Lebens contains over four hundred drawings that show all that the modern world has to offer, from maps and city views to cars and airplanes. However, unlike conventional pictorial dictionaries, there is no symbolic system.

Copublished with Kunsthalle Wien and Kunsthalle Basel on the occasion of the eponymous exhibition at the former, 7 February–4 May, 2014, and Projekt 13 at the latter, 16 January–14 March, 2010.

Designed by Antoine Begon and Boy Vereecken.

Yves Klein was a French artist and an important figure in post-war European art. He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein was a pioneer in the development of performance art, and is seen as an inspiration to and as a forerunner of minimal art, as well as pop art.

*Please note this publication is secondhand and has some traces of previous ownership.

This publication appeared in conjunction with the exhibition we sat rigid except for the parts of out bodies that were needed for production by Sandra Lahire and Celeste Burlina. It is the first in a series of small volumes of correspondence, responses, and conversations, which accompanies the exhibition program of Grazer Kunstverein. With contributions from Celeste Burlina, Tom Engels, Laura Guy, Calla Henkel, Sandra Lahire, Julie Peeters, Charlotte Proctor, Kerstin Schroedinger and Miriam Stoney.

prefaces to appendage appeared in conjunction with the exhibition appendage by Iris Touliatou. It gathers a series of prefaces to the exhibition, written by Arnisa Zeqo, Lisa Holzer, Tom Engels, and Quinn Latimer, and preceded by scattered imagery of the Grazer Kunstverein’s infrastructure before the arrival of appendage. Convened by Iris Touliatou, these voices conjure premonitions, blessings, openings, or, simply put, moments of an attached before. Designed by Julie Peeters.

For Langstme, Kunsthuis SYB’s 2021 triennale, Ash Kilmartin revisited her research on klokkenstoelen, notes and memories from her residency in 2019. The resulting thoughts turn around the traditional production of the bells, their historical functions and folklore in the village life around Beetsterzwaag, Friesland. Dutch translation by Caspar Stalenhoef. Designed by Linus Bonduelle/Studio Lieneman. The book is accompanied by a sound piece which can be listened to here.