Monograph with comprehensive timeline, produced on the occasion of Manfred Pernice’s exhibition Que-Sah at The Neues Museum, Nuremberg, 25 April–6 July, 2008.

The exhibition title – Que–Sah – refers to one volume of the Brockhaus encyclopaedia, where alphabetical arrangement gives systematic order to the highly varied lexical contents. For Pernice, “the first entry (Quebec conferences) and the last (Saho, Ethiopian stock farmers), like all the other conceptual phenomena in-between, are potential areas of artistic exploration.”

Designed by Yvonne Quirmbach.

Außerirdische Zwitterwesen / Alien Hybrid Creatures is a book by Michael Krebber, published on the occasion of a seminar to which the artist had been invited at the Institute for Art History at the University of Cologne in 2003. Beside an introductory text by Michael Krebber and numerous reproductions the publication contains a list of book recommendations on the theme of Dandyism compiled by Oswald Wiener.

Designed by Yvonne Quirmbach.

Produced on the occasion of Isa Genzken’s exhibition, Sie sind mein Glück from 11 June–27 August, 2000 at Kunstverein Braunschweig.

With texts by Diedrich Diederichsen und Rita Kersting and a foreword by Karola Grässlin. Designed by Yvonne Quirmbach.

Catalogue produced on the occasion of Cathy Wilkes’ exhibition in the British pavillion at the 58th International Art Exhibition – La Biennale di Venezia. Renowned for her distinctive and highly personal sculptural installations featuring humanoid figures that highlight the tender intimacy of everyday life, Wilkes’ exhibition features new paintings and sculptures that provoke a strong emotional response in viewers, set against the backdrop of the grand architecture of the British Pavilion. This catalogue presents a collection of 13 paintings produced for the exhibition. Designed by Yvonne Quirmbach.

The catalogue GEORGIA SAGRI GEORGIA SAGRI and I is published on the occasion of the eponymous solo exhibitions GEORGIA SAGRI GEORGIA SAGRI at Kunstverein Braunschweig, December 2017–February 2018, and GEORGIA SAGRI and I at Portikus, Frankfurt am Main, April–June 2018. As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist Georgia Sagri. As the title of this book suggests, the staged objects Sagri produces are doubled modules, where each I or self can be “cross-eyed.” This effect, often produced theatrically, reorders the collective gaze to be subverted through a “catastrophe of emotions.” Across performance, video work, and sculpture, Sagri navigates the murky relationships between the artist’s body and her body of work, subjectivity and persona, original and reproduction with equal parts humor and severity.

Collected in this catalogue is both current documentation of Sagri’s work and rich archival material since 1999; together they are juxtaposed against essays by Sotirios Bahtsetzis, Daniel Horn, Ruba Katrib, Christina Lehnert, Diego Singh and Stephen Squibb, an interview conducted with Silvia Federici, and a conversation between the artist, Bettina Funcke, and John Kelsey.

Design by Yvonne Quirmbach.

This catalogue was produced in conjunction with the exhibition series Cosima Von Bonin: The Lazy Susan Series, A Rotating Exhibition 2010–2012 shown at the following venues: Cosima Von Bonin’s Far Niente, Witte de With, Center for Contemporary Art, Rotterdam, 10 October, 2010–9 January, 2011; Cosima Von Bonin’s Bone Idle, Arnolfini, Bristol, 19 February–25 April, 2011; Cosima Von Bonin’s Zermatt! Zermatt! Z…ermattet!, MAMCO, Geneva, 8 June–18 September, 2011; Cosima Von Bonin’s Cut! Cut! Cut!, Museum Ludwig, Köln, 5 November, 2011–14 May, 2012.

Designed by Yvonne Quirmbach.