Ariana Reines is a poet, performing artist, and Obie-winning playwright. A SAND BOOK (Penguin, 2020) won the Kingsley Tufts Prize and was longlisted for the National Book Award and a Lambda Literary Award.

Fivehundred places was founded in 2012 by Jason Dodge. With a single printing of 500 copies, each book will find itself in one of 500 places. On the cover of each book is a dead scissor by Paul Elliman.

More information on Ariana Reines can be found here.

Alice Notley is one of the most influential living poets and the author of 40 books of poetry. This poem At The Foot At The Belt Of The Raincoat was written in 1979, but has not been published until now.

Fivehundred places was founded in 2012 by Jason Dodge. With a single printing of 500 copies, each book will find itself in one of 500 places. On the cover of each book is a dead scissor by Paul Elliman.

More information on Alice Notley can be found here and here.

Composed in the direct, accessible, consciousness-piercing style of which readers of Ariana Reines’ first two books are wildly enamoured, Mercury comprises a group of long poems. These interlocking works speak to the substance and essence of what is said, transmitted, transacted, “communicated” between persons. Reines proposes that substance and essence are opposites, and explores this in contexts including commercial cinema, the nation-state, currency, alchemy, and internet porn.

Now in paperback, a career-defining retrospective by a much-beloved contemporary master. Mary Ruefle’s Selected Poems gathers together the finest work from her distinguished and inimitable poetic career, showcasing the arc of her development as one of the most brilliant, expert and hilarious practitioners of the art. Anyone who wishes for poetry to be both richly challenging and thoroughly entertaining, need look no further than this capacious retrospective.

“Throughout the seven sections that are woven into a unified whole, Adnan displays a remarkable sensibility for the precise details that fuse the landscapes of individual and social nightmares. Through an ingenious synthesis of the best elements of the surrealist, cut-up and Language schools of writing, Adnan has attained a unique poetic voice.”—The San Francisco Chronicle

Illustrated with etchings by Russell Chatham.

“With this book of poems Etel Adnan establishes herself as a major poet who belongs beside internationally acclaimed poets like Tranströmer, Bly, Neruda, Vallejo, and Pessoa.”—Eric Sellin