Catalogue produced on the occasion of Michael Krebber’s exhibition at the Villa Arson, Nice, 28 March–18 May, 1997.

Published on the occasion of the exhibition Shandyismus, Autorschaft als Genre curated by Helmut Draxler, Secession, Vienna, 22 February–15 April, 2007.

The exhibition Shandyismus. Autorschaft als Genre refers to Laurence Sterne’s novel The Life and Opinions of Tristram Shandy, Gentleman from the 18th century. It will focus on Shandyism as a phenomenon or position, reflecting the diversity of points of contact with the media. A number of existing art works will be shown that express the methodological idiom of Shandyism. At the same time, artists have been invited to develop a “Shandyesque intervention” for the exhibition.

Artists: Monika Baer, Georg Baselitz, Bernadette Corporation, Max Bill, Marcel Broodthaers, Marcel Duchamp, Jack Goldstein, Gareth James, Sergej Jensen, Chuck Jones, David Jourdan, Jutta Koether, Louise Lawler, Olia Lialina und Dragan Espenschied, Robert Frank, Martin Kippenberger, Michael Krebber, Christian Philipp Müller, Michael Schuster, Josef Strau, Franz West sowie , Diedrich Diederichsen, Michael Dreyer, Clemens Krümmel, Franz Reitinger, Drehli Robnik, André Rottmann, Astrit Schmidt-Burkhardt, Tanja Widmann.

Texts: Diedrich Diederichsen, Helmut Draxler, Michael Dreyer, Clemens Krümmel, Shaun Regan, Franz Reitinger, Drehli Robnik, André Rottmann, Astrit Schmidt-Burkhardt, Peter de Voogd, Tanja Widmann.

Publication reproducing Michael Krebber’s work on paper from 1986–1991 (as seen in Galerie Buchholz’s 2018 exhibition Works on Works on Paper.) Published by Gallery Bleich-Rossi, Graz. Designed by Jörg Schlick.

Published on the occasion of …ical Krbbr Prdly Prsnts Gart Jas, Jon Klsy, Josf Stra at Portikus, Frankfurt, 16 December, 2006–21 January, 2007. A group show curated by Michael Krebber also featuring Gareth James, John Kelsey and Josef Strau.

“A bridge, an ellipsis, a sudden trailing off, the title of this exhibition, etc, the … might also be the blub blub blub of an underwater clam drawn by Jack Smith (“Ploduction Ploblems”), or a sort of mussel-talk taking over. In Réné Daumal’s unfinished novel Mount Analogue, which narrates the search for an invisible mountain (the largest on earth), there is a description of the money used in this place: smooth, pearl-like orbs dug out of the invisible mountain’s soil and very difficult to find. So on Mount Analogue, the … would also be a price, a sum, exact amount of invisible cash.”

Designed by Yvonne Quirmbach.