Born in Hartsville, South Carolina, Curtis Cuffie moved to New York as a teenager, first residing with his brothers in Brooklyn. In his adult life, Cuffie spent time unhoused in the streets of Manhattan where he found both inspiration and materials for his work as an artist. Cuffie’s sculptures interpret material street culture in the 1990s and early 2000s, using discarded and found objects assembled and transformed into collaged figures that speak to both the abject reality of urban surplus as well as the magical alchemy of artistic creation. Built by Cuffie outdoors, primarily on the sidewalks around Astor Place and along the Bowery, his sculptures were subject to the whims of weather, police interference, and the sanitation department, as well as Cuffie’s own continued interventions into his work. Edited by Scott Portnoy and Robert Snowden with Ciarán Finlayson and designed by Julie Peeters.

R,C appeared in conjunction with the exhibition RHYTHM, CITIZEN by Maria Toumazou. It is the third in a series of small volumes of correspondence, responses, and conversations, which accompanies the exhibition program of Grazer Kunstverein. R,C is a visual and textual passage through living and making in the Nicosian landscape. It combines artist statement, photography, and rap. R,C summons three voices: On The Solitary Crossing Of Impassable Passages, a statement by Koula Savvidou, written on the occasion of her eponymous exhibition at Diaspro Art Center, Nicosia, in 1995; EXHAUST, a selection of lyrics written by ‘Tasos Lamnisos/x.ypno for EE&ET (2021), a 10-track album by steliosilchuk & x.ypno; and a selection of 26 photographs taken by Maria Toumazou between 2021 and 2022.

Editor: Tom Engels. Conceptual Development: Maria Toumazou, Tom Engels, Julie Peeters. Translation: EXHAUST: Tasos Lamnisos, Maria Toumazou/ On The Solitary Crossing of Impassable Passages: Maria Toumazou, Koula Savvidou, Tom Engels. Graphic Design: Julie Peters.

secrets is a publication that gathers words, and glass summoned by Elena Narbutaitė and Marija Olšauskaitė. It is produced in conjunction with sekretas (Lithuanian for secret), the exhibition by Marija Olšauskaitė at the Grazer Kunstverein, which departs from a recreational activity performed by youngsters in the former Soviet Union. Stealthily, children would enter a courtyard, woods, or plains and place small objects under a piece of glass: flower petals, pictures, a note, golden bottle caps, shells, and other idiosyncratic elements would be organised and composed into a material expression of friend-ship. The pane would then be covered with earth or dust, as a sekretas withdraws from the eye.

With contributions by Elena Narbutaitė, Marija Olšauskaitė, Maria Tsoy, Aleksandra Krivulina, and Tom Engels, designed by Julie Peeters.

Bill is an annual magazine of photographic stories without any accompanying text to prioritise visual reading without distraction. Designed, edited, and produced by designer Julie Peeters and associate editor Elena Narbutaite, this issue contains 184 offset printed pp. on thirteen different paper stocks. Contributions for this issue include George Tourkovasilis, Cinzia Ruggeri through the lenses of Ilvio Gallo and Occhiomagico, SC103’s first runway, Inge Grognard, Adrianna Glaviano, the contact sheets of Santi Caleca, Rosalind Nashashibi, as well as magazine spreads from Anders Edström, Curtis Cuffie, and Hans Hollein.

This publication appeared in conjunction with the exhibition we sat rigid except for the parts of out bodies that were needed for production by Sandra Lahire and Celeste Burlina. It is the first in a series of small volumes of correspondence, responses, and conversations, which accompanies the exhibition program of Grazer Kunstverein. With contributions from Celeste Burlina, Tom Engels, Laura Guy, Calla Henkel, Sandra Lahire, Julie Peeters, Charlotte Proctor, Kerstin Schroedinger and Miriam Stoney.

prefaces to appendage appeared in conjunction with the exhibition appendage by Iris Touliatou. It gathers a series of prefaces to the exhibition, written by Arnisa Zeqo, Lisa Holzer, Tom Engels, and Quinn Latimer, and preceded by scattered imagery of the Grazer Kunstverein’s infrastructure before the arrival of appendage. Convened by Iris Touliatou, these voices conjure premonitions, blessings, openings, or, simply put, moments of an attached before. Designed by Julie Peeters.