Body Starting to Change is a conversation on music between two artists. When in 1960s despite the official ban foreign radio stations gained in availability within USSR, the newscasts and political comments broadcasted by them became an important part of alternative education. Musical programmes were of no less or perhaps of even more importance as they exposed the vitality of youth culture (or subculture) behind the Iron Curtain. Deimantas Narkevičius shares his musical experiences with Elena Narbutaitė, starting with this period of ‘catching waves’ and continuing until 1993, when the introduction to the London music scene became the turning-point (sooner or later experienced by many) in the artist’s relationship to the changing urban culture. The publication includes watercolours by Elena Narbutaitė, the reproduction of the cover of Satori, an album by Flower Travellin’ Band, stills from July 20, 2015, the (then) new film by Deimantas Narkevičius, and graphics by Mark Geffriaud.

Published as part of the XII Baltic Triennial. Designed by Julie Peeters.

On the occasion of the 150th anniversary of the birth of Jože Plečnik (1872–1957), a key figure of the Modernist movement in architecture and creator of numerous buildings and monuments around the city of Ljubljana, in 2022 Luca Lo Pinto and Olaf Nicolai curated an exhibition titled I Am Only the Housekeeper, but I Don’t Know… in the Slovenian architect’s former home. The publication retraces the contemporary interventions undertaken by the curatorial duo, who invited twenty-five internationally recognised Slovenian and foreign artists, allowing them to enter the house through their own works to commemorate Plečnik’s oeuvre and place its reading into a different and more contemporary context.

Works by John Armleder, H. C. Artmann, Nairy Baghramian, Avi Beracha, Pierre Bismuth, Monica Bonvicini, Pablo Bronstein, Michael Dean, Jason Dodge, Hansi Fuchs, Lena Grossmann, Ana Kučan, Janette Laverrière, Enzo Mari, Hana Miletić, Carsten Nicolai, Saša Pavček, Julie Peeters, Manfred Pernice, Florian Pumhösl, Fabio Quaranta, Ana Roš, Giovanna Silva, Mladen Stilinović, Diamond Stingily, Sophie Thun.

Photography by Giovanna Silva. Graphic design by Julie Peeters with Laura Martens.

This book presents previously unpublished work by George Tourkovasilis (1944–2021), a photographer and writer who lived between Paris, London, and Athens. Spanning the 1960s to the 2000s, his images move between diaristic depictions of radically intimate moments and sociological chronicles, while his incisive writing on art, politics, and desire brings its own syncopated reflections. Following his death in 2021, Akwa Ibom, Radio Athènes, and Melas Martinos assumed stewardship of his archive – prints, negatives, manuscripts, correspondence, and digital files – and organized three exhibitions: Spent at Akwa Ibom, The Night, Sleep at Radio Athènes, and Strange Switch at Melas Martinos, which are documented here. Drawing on material unearthed from the archive over the past year, including previously unseen digital and phone photography, this book offers a new perspective on a practice that largely eluded the public eye yet remained prolific and generous in private. Edited by Helena Papadopoulos, Julie Peeters & Maya Tounta. Designed by Julie Peeters.

Produced on the occasion of the exhibition Until Due Time, Everything Is Else by Pan Daijing. It is the sixth entry in a series of compact volumes featuring visual contributions, correspondence, responses, and conversations accompanying the Grazer Kunstverein exhibition program.

The images within this book are excerpts from a video created by Pan Daijing. This publication is intended to act as a sixth screen, aligning with a five-channel video installation on display in the exhibition at Grazer Kunstverein.

Edited by Tom Engels. Designed by Julie Peeters.

This publication coincides with the exhibition Lacrimosa by Josef Dabernig. It is the ninth in a series of compact volumes featuring visual contributions, correspondence, and conversations that accompany the exhibition program of the Grazer Kunstverein. The publication includes an essay by Krzysztof Kosciuczuk and a visual essay by Dabernig, featuring photographs taken on the film set of Lacrimosa (2024).

Edited by Tom Engels. Designed by Julie Peeters.

This publication accompanies Eyes, an exhibition presented in public space, featuring seven billboards across the city of Graz, each displaying compositions of eye makeup by Inge Grognard, photographed by Grognard herself backstage during the preparation of runway preparations and fashion shoots.

Inge Grognard is a pioneering Belgian makeup artist whose work has shaped avant-garde fashion for decades. As a teenager, she befriended Martin Margiela, an encounter that shaped both their creative paths, leading to a two-decade collaboration that helped define the raw, deconstructed aesthetic of Maison Martin Margiela. In the mid-1980s, Grognard became an integral force within the Antwerp Six, working closely with Dries Van Noten, Ann Demeulemeester, Walter Van Beirendonck, Dirk Bikkembergs, Dirk Van Saene, and Marina Yee.

Designed by Julie Peeters.