One of fifteen contributions from the postcard portfolio 15 CARTES POSTALE published by Guy Schraenen.

Brion Gysin was a British/Canadian painter, writer, sound poet, performance artist and inventor of experimental devices. He is best known for his use of the cut-up technique, alongside his close friend, the novelist William S. Burroughs. With the engineer Ian Sommerville he also invented the Dreamachine, a flicker device designed as an art object to be viewed with the eyes closed.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Jean-Marc Bustamante’s exhibition at the Villa Arson, Nice, 29 March–25 May,1997.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Giovanni Anselmo’s exhibition Nieuw Werk at Galerie Helen Van Der Meij, Amsterdam, 19 November–16 December,1982.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Alighiero Boetti’s exhibition ‘September 1986’ at Michael Klein. Inc, Amsterdam 27 November–22 December, 1986

*Please note this publication is secondhand and may have some traces of previous ownership. Address has been altered in documentation.

Arthur Rimbaud in New York, one of David Wojnarowicz’s incursions into photography, is the articulation of a testimony to urban, social and political change in New York.

Wojnarowicz, using the figure of the accursed poet as the only way for an artist to intervene in reality, chronicles his own life and his emotional relationship with New York City in the late 1970s. The artist portrays a number of friends with a life-size mask of the French poet Arthur Rimbaud, thereby taking on his identity and highlighting the parallels in their lives: the violence suffered in their youths, the feeling of being denied freedom, the desire to live far away from the bourgeois environment and the fact of their homosexuality.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of stanley brouwn’s exhibition at Van Abbemuseum, Eindhoven, 22 January–April 4, 2005.

*Please note this publication is secondhand and may have some traces of previous ownership and address sticker has been altered in documentation.