This catalogue documents the Marie Laurencin exhibition organized by Jelena Kristic at Galerie Buchholz New York in Spring 2020. Alongside numerous illustrations of the exhibited works, the book features texts by Hirohisa Takano-Yoshizawa, director of the Musée Marie Laurencin, Tokyo, and the curator Jelena Kristic. The book is designed by Mathias Poledna.

Produced on the occasion of three exhibitions by Michael Krebber Respekt Frischlinge at Galerie Daniel Buchholz, Je suis la chaise at Galerie Chantal Crousel & London Condom at Maureen Paley.

Designed by Michael Krebber and Yvonne Quirmbach.

Lutz Bacher wrote this novel in August 2010 in California. Designed by Lutz Bacher with consulting and production by HIT.

This publication is released in conjunction with Peter Fischli’s exhibition 12 Arbeiten ohne Titel at Galerie Buchholz Cologne. It presents collages based on photographs taken throughout Zurich. For the past three years, the artist has documented peculiar “remnants of nocturnal revelry”: cars, park benches, and building façades sprayed with shaving foam—easily removable vandalistic interventions into the urban fabric, gestures of infinitesimal subversion. The foam figments are formless, lacking both definite shape and durable substance.

*Please note this publication is secondhand and has some traces of previous ownership.

The Books and Life of Raymond Roussel is a biographic and bibliographic study of the French author Raymond Roussel (1877–1933). It was researched and written by the art historian Michael Sanchez. The book takes the form of an inventory of every known state of every edition of Roussel’s lifetime publications. Interwoven into this bibliographic data are texts that analyze the relationship between Roussel’s literary procedures, the material construction of his books, and his life. The book also includes a list of primary and secondary literature related to Roussel.

A projected multivolume catalogue of the Michael Krebber’s complete work, compiling high-quality photographs, material descriptions, and provenance of his output in all media. Focused on his early work, this first volume includes paintings, sculptures, works on paper, and film from 1972 to the year 2000. Opening with a historical essay that traces the genesis of Krebber’s practice in relation to contemporaries such as Martin Kippenberger and Albert Oehlen, the book also contains numerous short texts analyzing and contextualizing individual works. In addition to a full biography and bibliography, the catalogue raisonné features extensive documentation of Krebber’s early exhibitions, many of which have not been published before.