A one day presentation of a ROUND BAR OF WOOD FROM 1975 BY ANDRÉ CADERE
Saturday, 24 May, 13:00–18:00, Quantum Color Seance by Paul Goede, 13:00

Image: Presentation of a round bar of wood by André Cadere, Galerie Yvon Lambert, Paris, 23 November–7 December 1975 in André Cadere: Peinture sans fin, Verlag der Buchhandlung Walther König, Köln, 2007, p. 75.

#2025 #andrecadere #paulgoede
Documenting Cadere, 1972–1978 (poster)
Published by MuZEE, Oostende, 2013, folded poster (b/w ill.), 21.7 × 18.5 cm (folded), 43.4 × 55 cm (unfolded), English/Dutch
Price: €55 (Out of stock)

Produced on the occasion of the exhibition Documenting Cadere, 1972–1978, MuZEE, Oostende, 2 March–2 May, 2013, curated by Lynda Morris.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

You can see Lynda Morris talking about Cadere here.

*Please note this publication is secondhand and has some traces of previous ownership.

#2013 #andrecadere #ephemera #lyndamorris
All Walks of Life
André Cadere
Published by Institute of Contemporary Art, P.S. 1 Museum, New York & Musée d'Art Moderne de la Ville de Paris, 1992, 180 pp. (colour & b/w ill.), 21.9 × 27 cm, English/French
Price: €155

Produced on the occasion of the exhibitions; André Cadere at Institute of Contemporary Art, P.S. 1 Museum, 15 October–10 December, 1989 and L’Hommage André Cadere at Musée d’Art Moderne de la Ville de Paris, 6 July–4 October, 1992.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

#1992 #andrecadere
Catalogue raisonné
André Cadere
Published by Verlag der Buchhandlung Walther König, Köln, 2008, 208 pp. (colour & b/w ill.), 21.5 × 27 cm, English/French/German
Price: €75

Produced on the occasion of the exhibition André Cadere: Peinture sans fin at the Staatliche Kunsthalle Baden-Baden, 27 October, 2007–20 January, 2008.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

Designed by Yvonne Quirmbach.

*Please note this publication is secondhand and has some traces of previous ownership.

#2008 #andrecadere #verlagderbuchhandlungwaltherkonig #yvonnequirmbach
Unordnung herstellen (zweibändig)
André Cadere
Published by Kunstverein München, München & Neue Galerie Am Landesmuseum Joanneum, Graz, 1996, 80 pp. (colour &b/w ill.), 21 × 29.7 cm, German/French/Italian
Price: €44 (Out of stock)

Edited by Heike Kerstin Ander, and Dirk Snauwaert. Texts by André Cadere, and Bernard Marcelis; with an introduction by Dirk Snauwaert, and Peter Weibel. Accompanying second volume of Geschichte Einer Arbeit.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

#1996 #andrecadere #dirksnauwaert #kunstvereinmunchen
Unordnung herstellen (zweibändig)
André Cadere
Published by Kunstverein München, München & Neue Galerie Am Landesmuseum Joanneum, Graz, 1996, 80 pp. (colour &b/w ill.), 21 × 29.7 cm, German/French/Italian
Price: €50 (Out of stock)

Edited by Heike Kerstin Ander, and Dirk Snauwaert. Texts by André Cadere, and Bernard Marcelis; with an introduction by Dirk Snauwaert, and Peter Weibel. Accompanying second volume of Geschichte Einer Arbeit.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

#1996 #andrecadere #dirksnauwaert #kunstvereinmunchen