Liz Deschenes
Published by Revolver Publishing, Berlin, 2012, 100 pp. (colour & b/w ill.), 16.5 × 22.2 cm, German/English
Price: €22

Produced on the occasion of Liz Deschenes’ exhibition at Secession, Vienna, 7 December – 10 February, 2013.

Liz Deschenes’s photographic oeuvre deals with the conditions of photography and its components, with perception and the correlation to other artistic media, and with the architecture within which her works are shown. Her works allow a self-referential look at the medium, liberated of its functions, taking its own conditions as its theme.

#2013 #abstractphotography #lizdeschenes #photography #revolver #secession
The Spirit of Avant-Garde Photography: Transforming “Nothing Much”
Published by Akaaka, Kyoto, 2024, 240 pp. (colour & b/w ill.), 19 × 26 cm, Japanese with some English translations
Price: €25

During the 1930s, a large number of works influenced by surrealism were shown in Japan under the heading “avant-garde photography”. Among these were works by Shuzo Takiguchi (1903–1979), who soon thereafter founded the Avant-Garde Photography Association along with Nobuya Abe (1913–1971). Their theoretical approach to the photographic medium would in turn influence other experimental Japanese artists such as Kiyoji Otsuji (1923–2001) and Shigeo Gocho (1946–1983). Collectively these artists have made an indelible impact on 20th-century photography in Japan, which is the subject of this seminal exhibition catalogue on their work and legacy.

#2024 #abstractphotography #japaneseavantgarde #japanesephotography #kiyojiotsuji #nobuyaabe #shigeogocho #shuzotakiguchi
Traces of Light in Modernism
Koshiro Onchi, Osamu Shiihara and Ei-Q
Published by The National Museum of Modern Art, Tokyo, 1997, 40 pages (b/w ill.), 21 × 29.7 cm, Japanese / English
Price: €44

Various artistic trends originating in Europe after World War 1, such as Russian Constructivism, the Bauhaus in Germany and Surrealism in France, left a strong impression on Japanese art and photography in the Taisho and the early Showa periods. In photography in particular, the Western influence brought a new movement called Shinko Shashin (New Photography) in the early Showa period. This exhibition was an attempt at reexamining the visual expression in the period from the perspective of the photographic work of artists from fields other than photography, focusing on the work of Koshiro Onchi, Osamu Shiihara and Ei-Q.

*Please note this publication is secondhand and has some traces of previous ownership.

#1997 #abstractphotography #eiq #japaneseavantgarde #japanesephotography #koshiroonchi #osamushiihara #photography
1930s Japanese Photography — 日本の写真 1930年代 展 図録
日本の写真 1930年代 展 図録
Published by Kanagawa Prefectural Museum of Modern Art, Kanagawa, 1988, unpaginated (colour & b/w ill.), 25 × 24.3 cm, Japanese
Price: €65 (Out of stock)

A pictorial record of the exhibition Japanese Photography 1930s, at Kanagawa Prefectural Museum of Modern Art, 1988, which collects photographs from the emerging photography of the era. Approximately 340 illustrations of the work of photographers such as Kiyoshi Koishi, Shoji Ueda, Ei-Q, Koshiro Onchi, Nakaji Yasui, Iwata Nakayama, Shinzō Fukuhara, Kineo Kuwabara, Terushichi Hirai amongst others.

*Please note this publication is secondhand and has some traces of previous ownership.

#abstractphotography #eiq #iwatanakayama #japaneseavantgarde #japanesephotography #kineokuwabara #kiyoshikoishi #koshiroonchi #nakajiyasui #photography #shinzofukuhara #shojiueda #terushichihirai
1930s Japanese Photography
日本の写真 1930年代 展 図録
Published by Kanagawa Prefectural Museum of Modern Art, Kanagawa, 1988, unpaginated (colour & b/w ill.), 25 × 24.3 cm, Japanese
Price: €65 (Out of stock)

A pictorial record of the exhibition Japanese Photography 1930s, Kanagawa Prefectural Museum of Modern Art, 1988, which collects photographs from the emerging photography of the era. Approximately 340 illustrations of the work of photographers such as Kiyoshi Koishi, Shoji Ueda, Ei-Q, Koshiro Onchi, Nakaji Yasui, Iwata Nakayama, Shinzō Fukuhara, Kineo Kuwabara, Terushichi Hirai amongst others.

#abstractphotography #eiq #iwatanakayama #japanesephotography #kineokuwabara #kiyoshikoishi #koshiroonchi #nakajiyasui #photography #shinzofukuhara #shojiueda #terushichihirai
Retrospective/'96-'97
Iwata Nakayama
Published by Ashiya City Museum of Art and History, Ashiya & Shoto Museum of Art, Tokyo, 1996, 192 pages (b/w ill.), 21 × 27.5 cm, Japanese
Price: €65

Iwata Nakayama (1895-1949) is regarded as a one of the most important contributors to the Shinko Shashin movement. After graduating from the Tokyo School of Fine Arts in 1918, he received a scholarship from the Japanese government and went to California before settling in New York. At the same time Nakayama was attracted to avant-garde movements and moved in bohemian circles where he met Shimizu Toshi. Shimizu encouraged him to move to Paris in 1926 where he met Man Ray, Fujita Tsuguji, and Enrico Prompolini. These encounters left a deep impression on him and when he returned to Japan in 1927 he energetically set about forming his own vision of ‘pure art photography’. In 1929 he settled in Ashiya (nr. Kobe) and in the following year founded the Ashiya Camera Club with Hanaya Kambei, Korai Seiji, and others. This club became the main driving force of New Photography in Japan. Together with Kimura and Nojima he founded Koga magazine in 1932 that was the most important forum for artistic photography at the time.

#1996 #abstractphotography #iwatanakayama #japaneseavantgarde #japanesephotography #photography