Composition
Jochen Lempert
Published by Verlag der Buchhandlung Walther König, Köln, 2015, 60 pages (b/w ill.), 23 × 33 cm, English
Price: €44

Produced on the occasion of Jochen Lempert’s first solo exhibition in the United States , a major survey at Midway Contemporary Art, Minneapolis, 3 February–31 March 2012 and and Rochester Art Center, 4 February–22 April, 2012. With a text by Chris Sharp.

Images of the exhibition can be found here.

#2015 #chrissharp #jochenlempert #photography #verlagderbuchhandlungwaltherkonig
Cathy Wilkes
Published by Tate Liverpool, Liverpool, 2015, 64 pages (colour & b/w ill.), 23.5 × 17 cm, English
Price: €20

Produced on the occasion of Cathy Wilkes’ 2015 exhibition at the Tate Liverpool, the largest and most comprehensive display of work to date, bringing together more than a decade of the artist’s acclaimed work, including several of her large-scale sculptural installations alongside paintings, works on paper and archive materials.

Best known for her imaginary environments which recall poetic visions, her installations evoke places of loss or transformation. Her work is occupied by beings, often of unspecified gender: infants, elders and animals. It includes collections of objects and treasured ingredients accumulated from daily life, for example baking parchments, cloths, towels, cups and plates and biscuits.

#2015 #cathywilkes
Now Leaves
Michael Dean
Published by Bookworks, London, 2015, 648 pages (b/w ill.), 12 × 16.8 cm, English
Price: €12 (Out of stock)

Dean’s work is often concerned with the play of legibility through the creation of private lexicons. The relation between spoken word performance and its graphic representation, often in the form of private, personal and self-made typefaces, is one key to his work. The otherwise mute objects are inscribed, via clues, or fragments of lettering, with a personalised form of writing, which gives the opportunity of animating the artwork. Here the book operates as a form of sculpture, inscribed with both a personal and bodily form, to be read, spoken or carefully deciphered. Designed by Michael Dean, with Fraser Muggeridge.

NOW LEAVES describes leaving and having left. Glossolalia like, against noise, about the bones of a writing, written in tongue graphics legible by reason of the trees with as many words as there are leaves. The percussion of these leaves is f***ing news. The percussion of these leaves is not his news. The percussion of these leaves is not her news. The percussion of these leaves is definitely not their news.’ – Michael Dean

*Please note this publication is secondhand and has some traces of previous ownership:

#2015 #bookworks #frasermuggeridge #michaeldean
PALINDROMES
Barry Flanagan and John Latham
Published by Flat Time House, London, 2015, 32 pages (colour & b/w ill.), 12.8 × 19.8 cm, English
Price: €10 (Out of stock)

Produced on the occasion of ’Pataphysics and Transactions Between Barry Flanagan And John Latham at Flat Time House, London, 2 April–17 May. Curated by Jo Melvin, Palindromes looked at Barry Flanagan and John Latham’s preoccupation with ’pataphysics and provided a framework for dialogues between Barry Flanagan and John Latham. ’Pataphysics is defined by its inventor, Alfred Jarry, the Symbolist poet and writer, as ‘the science of imaginary solutions.’ It preoccupied Flanagan from the early 1960s before he enrolled on the Advanced Sculpture Course at St Martin’s School of Art in 1964, where he met John Latham who was at that time teaching in the painting department.

*Please note this publication is secondhand and has some traces of previous ownership, the cover has slight sun damage.

#2015 #barryflanagan #johnlatham
An Intervention
Published by John Hansard Gallery, Southampton, 2015, 24 pages (colour & b/w ill.), 13.8 × 22 cm, English
Price: €9 (Out of stock)

Produced on the occasion of the exhibition An Intervention at John Hansard Gallery, 12 May–27 June 2015.

Artists included were: Alice Channer, Ian Kiaer, Kitty Kraus, Phillip Lai and Bojan Šarčević. The title, An Intervention, addresses the very nature of the works; each piece intercedes the gallery space and, through subtle means, arrests the viewer to stop and consider the space both the visitor and work occupy.

#2015 #alicechanner #bojansarcevic #iankiaer #kittykraus #philliplai
The Lulennial: A Slight Gestuary
Published by Mousse Publishing, Milan, 2015, 144 pages (colour & b/w ill.), 16 × 23 cm, English / Portuguese
Price: €15

Produced on the occasion of the biennal The Lulennial, organized by Fabiola Iza and Chris Sharp at Lulu, Mexico City, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

With Zarouhie Abdalian, Francis Alÿs, Paola de Anda, Carl Andre, Billy Apple, Darren Bader, Pierre Bal-Blanc, Robert Barry, Graciela Carnevale, Ulises Carrión, Lygia Clark, Isaac Contreras, Marie Cool Fabio Balducci, Tania Pérez Córdova, Eduardo Costa, Christopher D’Arcangelo, Marcel Duchamp, Koji Enokura, Lucio Fontana, Fernanda Gomes, Alberto Greco, Simon Gabriel Greenberg, Matt Hinkley, Hi Red Center, Tehching Hsieh, Douglas Huebler, Stephen Kaltenbach, Yves Klein, Joseph Kosuth, Jirí Kovanda, Sol LeWitt, Lee Lozano, Jenine Marsh, Cildo Meireles, Robert Morris, Roman Ondák, Yoko Ono, Gabriel Orozco, Chantal Peñalosa, Goran Petercol, Kirsten Pieroth, Wilfredo Prieto, Ana Roldán, Lotty Rosenfeld, Karin Sander, Ana Santos, Martín Soto Climent, Mladen Stilinovic, Mierle Laderman Ukeles, Isidoro Valcárcel Medina, Goran Trbuljak, Lawrence Weiner, B. Wurtz, Lin Yilin, La Monte Young.

#2015 #bwurtz #chrissharp #christopherdarcangelo #hiredcenter #jirikovanda #kirstenpieroth #lamonteyoung #mierleladermanukeles #mladenstilinovic #moussepublishing #tehchinghsieh #zarouhieabdalian